‘¢Œ`Œ|pƒR[ƒX

ŽžŠÔŠ„
ƒR[ƒh
ŠwŠú‰È–Ú–¼’S“–‹³ˆõ–¼Šw”NŒ`‘Ô

20700
ŒãŠú ‘¢Œ`Žj‚`
Art history A
¬—Ñ@r‰î(KOBAYASI Syunsuke) 1”N,2”N,3”N,4”N u‹`

20701
‘OŠú HŒ|‚Æ•¶‰»
Introduction to Craft Production and Culture
âV“¡@Šw(SAITO Manabu) 2”N,3”N,4”N u‹`

20702
ŒãŠú ‘¢Œ`Žj‚a
Art history B
’·â@ˆê˜Y(NAGASAKA Ichirou) 2”N,3”N,4”N u‹`

20703
ŒãŠú ‘¢Œ`U‹»˜_
Methodology for Information Graphic Design
”‹Œ´@®‹G(HAGIWARA Takaki) 2”N,3”N,4”N u‹`

20704
‘OŠú •½–Ê‘¢Œ`Šî‘b
Basics of Painting
¬—Ñ@r‰î(KOBAYASI Syunsuke),”ª–Ø@•¶Žq(HUMIKO Yagi),“yˆä@Œh^(DOI Hiromasa) 1”N,2”N,3”N,4”N ‰‰K

20705
ŒãŠú —§‘Ì‘¢Œ`Šî‘b
Elements Art & Design in the Three-Dimensional Expression
âV“¡@Šw(SAITO Manabu),“yˆä Œh^iDOI Hiromasaj 1”N,2”N,3”N,4”N ‰‰K

20706
‘OŠú ŠG‰æŠî‘b
Introduction of painting
”ª–Ø@•¶Žq(YAGI Humiko) 2”N,3”N,4”N ‰‰K

20707
‘OŠú ’¤Šî‘b
Elements of Sculpture
“yˆä@Œh^(DOI Hiromasa) 2”N,3”N,4”N ‰‰K

20708
‘OŠú ƒfƒUƒCƒ“Šî‘b
Basic Design
¼‘º@‘׎O(MATSUMURA Taizo) 2”N,3”N,4”N ‰‰K

20709
‘OŠú FÊŠw
Color Science for Design
ŽR–{@‘—¢(YAMAMOTO Sari) 2”N,3”N,4”N u‹`

20710
‘OŠú HŒ|Šî‘b
Elements of Craft Production
âV“¡@Šw(SAITO Manabu) 2”N,3”N,4”N ‰‰K

20711
ŒãŠú ‰f‘œŠî‘b
Basic Imaging Arts & Sciences
–¢’è 2”N,3”N,4”N ‰‰K

20720
‘OŠú ‘¢Œ`Žj‚b
Art history C
¬—Ñ@r‰î(KOBAYASI Syunsuke) 2”N,3”N,4”N u‹`

20721
‘OŠú ’nˆæ•¶‰»‚Æ‘¢Œ`
Regional culture and plastic art
‰ª“c@–õ(OKADA Yasushi) 2”N,3”N,4”N u‹`

20723
‘OŠú ¶ŠUŠwK‚Æ‘¢Œ`
Life-long Learning and Art
¬—Ñ@r‰î(KOBAYASI Syunsuke) 3”N,4”N ‰‰K

20724
ŒãŠú ŠG‰æ‚`
PaintingA
”ª–Ø@•¶Žq(YAGI Humiko) 2”N,3”N,4”N ‰‰K

20725
‘OŠú ŠG‰æ‚a
PrintingB
”ª–Ø@•¶Žq(YAGI Humiko) 3”N,4”N ‰‰K

20726
ŒãŠú ŠG‰æ‚b
PrintingC
”ª–Ø@•¶Žq(YAGI Humiko) 3”N,4”N ‰‰K

20727
ŒãŠú ŠG‰æ˜_
Theory of Painting
¬—Ñ@r‰î(KOBAYASI Syunsuke) 3”N,4”N u‹`

20728
ŒãŠú ’¤‚`
Sculpture A
“yˆä@Œh^(DOI Hiromasa) 2”N,3”N,4”N ‰‰K

20729
‘OŠú ’¤‚a
Sculpture B
“yˆä@Œh^(DOI Hiromasa) 3”N,4”N ‰‰K

20730
‘OŠú ’¤˜_
Introduction to Sculpture
“yˆä@Œh^(DOI Hiromasa) 3”N,4”N u‹`

20731
ŒãŠú ƒfƒUƒCƒ“‚`
Design A
–¢’è 2”N,3”N,4”N ‰‰K

20732
‘OŠú ƒfƒUƒCƒ“‚a
Design B
¼‘º@‘׎O(MATSUMURA Taizo) 3”N,4”N ‰‰K

20733
ŒãŠú HŒ|‚`
Craft Production A
âV“¡@Šw(SAITO Manabu) 2”N,3”N,4”N ‰‰K

20734
‘OŠú HŒ|‚a
Craft Production B
âV“¡@Šw(SAITO Manabu) 3”N,4”N ‰‰K

20735
ŒãŠú }–@E»}
Method of Drawing
âV“¡@Šw(SAITO Manabu) 2”N,3”N,4”N ‰‰K

20736
ŒãŠú ‰f‘œ•\Œ»
Visual Media Expression
‘ì@‹M‘×(HAYAKAWA Takahiro) 3”N,4”N ‰‰K

20737
‘OŠú ”üp‰È‹³ˆç–@‚`
Study of Art Education A
~â×@F(FURIHATA Takashi) 2”N,3”N,4”N u‹`

20738
ŒãŠú ”üp‰È‹³ˆç–@‚a
Study of Art Education B
’r“c@³(IKEDA Tadashi) 2”N,3”N,4”N u‹`

20739
‘OŠú ”üp‚Ì‹³Þ•ªÍ‚`
Art teaching materials A
¬—Ñ@r‰î(KOBAYASI Syunsuke),”ª–Ø@•¶Žq(HUMIKO Yagi) 2”N,3”N,4”N ‰‰K

20740
ŒãŠú ”üp‚Ì‹³Þ•ªÍ‚a
Art teaching materials B
¬—Ñ@r‰î(KOBAYASI Syunsuke) 2”N,3”N,4”N ‰‰K

20741
‘OŠú HŒ|‰È‹³ˆç–@
Methodology of Teaching Crafts Production
âV“¡@Šw(SAITO Manabu) 3”N,4”N u‹`

20742
ŒãŠú HŒ|‚Ì‹³Þ•ªÍ
Practice of Teaching Crafts Production
âV“¡@Šw(SAITO Manabu) 3”N,4”N ‰‰K

20750
‘OŠú ’nˆæ‘¢Œ`•¶‰»ŽÀ‘H˜_‚`
Theory community development by Art
”ª–Ø@•¶Žq(YAGI Humiko) 3”N,4”N u‹`

20751
‘OŠú ’nˆæ‘¢Œ`•¶‰»ŽÀ‘H˜_‚a
Study on arts and culture of Yamagata B
‰¡‘q@W–ç(YOKOKURA Shinya) 3”N,4”N u‹`

20752
ŒãŠú ’nˆæ‘¢Œ`•¶‰»ŽÀ‘H‰‰K‚`
Practis community development by art
”ª–Ø@•¶Žq(YAGI@Humiko) 3”N,4”N ‰‰K

20753
‘OŠú ’nˆæ‘¢Œ`•¶‰»ŽÀ‘H‰‰K‚a
Seminar in arts and culture of Yamagata B
‰¡‘q@W–ç(YOKOKURA Shinya) 3”N,4”N ‰‰K

20754
ŒãŠú ŠG‰æ‹Z–@‰‰K
Seminar on Material and Technique of Painting
¬—Ñ@r‰î(KOBAYASI Syunsuke) 3”N,4”N ‰‰K

20755
ŒãŠú ’¤‚b
Sculpture C
“yˆä@Œh^(DOI Hiromasa) 3”N,4”N ‰‰K

20756
ŒãŠú ƒfƒUƒCƒ“‚b
Design C
–¢’è 3”N,4”N ‰‰K

20757
ŒãŠú HŒ|‚b
Craft Production C
âV“¡@Šw(SAITO Manabu) 3”N,4”N ‰‰K

20758
‘OŠú ”Ž•¨ŠÙŠwiŠT˜_j
Museology
²“¡@‹Õ(SATO Koto) 1”N,2”N,3”N,4”N u‹`

20759
ŒãŠú ”Ž•¨ŠÙŠwiŒo‰c˜_j
Museum Management
²“¡@‹Õ(SATO Koto) 2”N,3”N,4”N u‹`

20760
ŒãŠú ”Ž•¨ŠÙŠwiŽ‘—¿˜_j
Museum Collections Management
²“¡@‹Õ(SATO Koto) 2”N,3”N,4”N u‹`