‘¢Œ`Œ|pƒR[ƒX

ŽžŠÔŠ„
ƒR[ƒh
ŠwŠú‰È–Ú–¼’S“–‹³ˆõ–¼Šw”NŒ`‘Ô

20701
‘OŠú HŒ|‚Æ•¶‰»
Introduction to Craft Production and Culture
âV“¡@Šw(SAITO Manabu) 2”N,3”N,4”N u‹`

20702
ŒãŠú ‘¢Œ`Žj‚a
Art history B
²“¡@‹Õ(SATO Koto) 2”N,3”N,4”N u‹`

20703
ŒãŠú ‘¢Œ`U‹»˜_
Methodology for Information Graphic Design
”‹Œ´@®‹G(HAGIWARA Takaki) 2”N,3”N,4”N u‹`

20706
‘OŠú ŠG‰æŠî‘b
Introduction of painting
”ª–؁@•¶Žq(HUMIKO Yagi) 2”N,3”N,4”N ‰‰K

20707
‘OŠú ’¤Šî‘b
Elements of Sculpture
“yˆä@Œh^(DOI Hiromasa) 2”N,3”N,4”N ‰‰K

20708
‘OŠú ƒfƒUƒCƒ“Šî‘b
Basic Design
‘ì@‹M‘×(HAYAKAWA Takahiro),¼–ì@‹BŽj(NISHINO Takeshi) 2”N,3”N,4”N ‰‰K

20709
‘OŠú FÊŠw
Color Science for Design
‚è—tŽqiTAKASAKI Youkoj 2”N,3”N,4”N u‹`

20710
‘OŠú HŒ|Šî‘b
Elements of Craft Production
âV“¡@Šw(SAITO Manabu) 2”N,3”N,4”N ‰‰K

20711
ŒãŠú ‰f‘œŠî‘b
Basic Imaging Arts & Sciences
¼–ì@‹BŽj(NISHINO Takeshi) 2”N,3”N,4”N ‰‰K

20720
‘OŠú ‘¢Œ`Žj‚b
Art history C
¬—с@r‰î(KOBAYASI Syunsuke) 2”N,3”N,4”N u‹`

20722
‘OŠú ’nˆæ‚ƃfƒUƒCƒ“
Design in Local Industry
—M–؁@‘וF(YUNOKI Yasuhiko) 2”N,3”N,4”N u‹`

20723
‘OŠú ¶ŠUŠwK‚Æ‘¢Œ`
Life-long Learning and Art
¬—с@r‰î(KOBAYASI Syunsuke) 3”N,4”N ‰‰K

20724
ŒãŠú ŠG‰æ‚`
PaintingA
”ª–؁@•¶Žq(HUMIKO Yagi) 2”N,3”N,4”N ‰‰K

20725
‘OŠú ŠG‰æ‚a
PrintingB
”ª–؁@•¶Žq(HUMIKO Yagi) 3”N ‰‰K

20726
ŒãŠú ŠG‰æ‚b
PrintingC
”ª–؁@•¶Žq(HUMIKO Yagi) 3”N,4”N ‰‰K

20727
ŒãŠú ŠG‰æ˜_
Theory of Painting
¬—с@r‰î(KOBAYASI Syunsuke) 3”N,4”N ‰‰K

20728
ŒãŠú ’¤‚`
Sculpture A
“yˆä@Œh^(DOI Hiromasa) 2”N,3”N,4”N ‰‰K

20729
‘OŠú ’¤‚a
Sculpture B
“yˆä@Œh^(DOI Hiromasa) 3”N,4”N ‰‰K

20730
‘OŠú ’¤˜_
Introduction to Sculpture
“yˆä@Œh^(DOI Hiromasa) 3”N,4”N u‹`

20731
ŒãŠú ƒfƒUƒCƒ“‚`
Design A
‘ì@‹M‘×(HAYAKAWA Takahiro),¼–ì@‹BŽj(NISHINO Takeshi) 2”N,3”N,4”N ‰‰K

20732
‘OŠú ƒfƒUƒCƒ“‚a
Design B
‘ì@‹M‘×(HAYAKAWA Takahiro),¼–ì@‹BŽj(NISHINO Takeshi) 3”N,4”N ‰‰K

20733
ŒãŠú HŒ|‚`
Craft Production A
âV“¡@Šw(SAITO Manabu) 2”N,3”N,4”N ‰‰K

20734
‘OŠú HŒ|‚a
Craft Production B
âV“¡@Šw(SAITO Manabu) 3”N,4”N ‰‰K

20735
ŒãŠú }–@E»}
Method of Drawing
âV“¡@Šw(SAITO Manabu) 2”N,3”N,4”N ‰‰K

20736
ŒãŠú ‰f‘œ•\Œ»
Visual Media Expression
‘ì@‹M‘×(HAYAKAWA Takahiro) 3”N,4”N ‰‰K

20737
‘OŠú ”üp‰È‹³ˆç–@‚`
Study of Art Education A
~âׁ@F(FURIHATA Takashi) 2”N,3”N,4”N u‹`E‰‰K

20738
ŒãŠú ”üp‰È‹³ˆç–@‚a
Study of Art Education B
’r“c@³(IKEDA Tadashi) 2”N,3”N,4”N u‹`E‰‰K

20739
‘OŠú ”üp‚Ì‹³Þ•ªÍ‚`
Art teaching materials A
“yˆä@Œh^(DOI Hiromasa),¬—с@r‰î(KOBAYASI Syunsuke),”ª–؁@•¶Žq(HUMIKO Yagi) 3”N,4”N ‰‰K

20740
ŒãŠú ”üp‚Ì‹³Þ•ªÍ‚a
Art teaching materials B
¬—с@r‰î(KOBAYASI Syunsuke) 2”N,3”N,4”N ‰‰K

20741
‘OŠú HŒ|‰È‹³ˆç–@
Methodology of Teaching Crafts Production
âV“¡@Šw(SAITO Manabu) 3”N,4”N u‹`

20742
ŒãŠú HŒ|‚Ì‹³Þ•ªÍ
Practice of Teaching Crafts Production
âV“¡@Šw(SAITO Manabu) 3”N,4”N ‰‰K

20750
‘OŠú ’nˆæ‘¢Œ`•¶‰»ŽÀ‘H˜_‚`
Theory community development by Art
”ª–؁@•¶Žq(HUMIKO Yagi) 3”N,4”N u‹`

20751
‘OŠú ’nˆæ‘¢Œ`•¶‰»ŽÀ‘H˜_‚a
Study on arts and culture of Yamagata B
‰¡‘q@W–ç(YOKOKURA Shinya) 3”N,4”N u‹`

20752
ŒãŠú ’nˆæ‘¢Œ`•¶‰»ŽÀ‘H‰‰K‚`
Practis community development by art
”ª–؁@•¶Žq(HUMIKO Yagi) 3”N,4”N ‰‰K

20753
‘OŠú ’nˆæ‘¢Œ`•¶‰»ŽÀ‘H‰‰K‚a
Seminar in arts and culture of Yamagata B
‰¡‘q@W–ç(YOKOKURA Shinya) 3”N,4”N ‰‰K

20754
ŒãŠú ŠG‰æ‹Z–@‰‰K
Seminar on Material and Technique of Painting
¬—с@r‰î(KOBAYASI Syunsuke) 3”N,4”N ‰‰K

20755
ŒãŠú ’¤‚b
Sculpture C
“yˆä@Œh^(DOI Hiromasa) 3”N,4”N ‰‰K

20757
ŒãŠú HŒ|‚b
Craft Production C
âV“¡@Šw(SAITO Manabu) 3”N,4”N ‰‰K