ŽžŠÔŠ„ ƒR[ƒh | ŠwŠú | ‰È–Ú–¼ | ’S“–‹³ˆõ–¼ | Šw”N | Œ`‘Ô |
---|---|---|---|---|---|
20701 |
‘OŠú | HŒ|‚Æ•¶‰» Introduction to Craft Production and Culture |
âV“¡@Šw(SAITO Manabu) | 2”N,3”N,4”N | u‹` |
20702 |
ŒãŠú | ‘¢Œ`Žj‚a Art history B |
²“¡@‹Õ(SATO Koto) | 2”N,3”N,4”N | u‹` |
20703 |
ŒãŠú | ‘¢Œ`U‹»˜_ Methodology for Information Graphic Design |
”‹Œ´@®‹G(HAGIWARA Takaki) | 2”N,3”N,4”N | u‹` |
20706 |
‘OŠú | ŠG‰æŠî‘b Introduction of painting |
”ª–Ø@•¶Žq(HUMIKO Yagi) | 2”N,3”N,4”N | ‰‰K |
20707 |
‘OŠú | ’¤Šî‘b Elements of Sculpture |
“yˆä@Œh^(DOI Hiromasa) | 2”N,3”N,4”N | ‰‰K |
20708 |
‘OŠú | ƒfƒUƒCƒ“Šî‘b Basic Design |
‘ì@‹M‘×(HAYAKAWA Takahiro),¼–ì@‹BŽj(NISHINO Takeshi) | 2”N,3”N,4”N | ‰‰K |
20709 |
‘OŠú | FÊŠw Color Science for Design |
‚è—tŽqiTAKASAKI Youkoj | 2”N,3”N,4”N | u‹` |
20710 |
‘OŠú | HŒ|Šî‘b Elements of Craft Production |
âV“¡@Šw(SAITO Manabu) | 2”N,3”N,4”N | ‰‰K |
20711 |
ŒãŠú | ‰f‘œŠî‘b Basic Imaging Arts & Sciences |
¼–ì@‹BŽj(NISHINO Takeshi) | 2”N,3”N,4”N | ‰‰K |
20720 |
‘OŠú | ‘¢Œ`Žj‚b Art history C |
¬—Ñ@r‰î(KOBAYASI Syunsuke) | 2”N,3”N,4”N | u‹` |
20722 |
‘OŠú | ’nˆæ‚ƃfƒUƒCƒ“ Design in Local Industry |
—M–Ø@‘וF(YUNOKI Yasuhiko) | 2”N,3”N,4”N | u‹` |
20723 |
‘OŠú | ¶ŠUŠwK‚Æ‘¢Œ` Life-long Learning and Art |
¬—Ñ@r‰î(KOBAYASI Syunsuke) | 3”N,4”N | ‰‰K |
20724 |
ŒãŠú | ŠG‰æ‚` PaintingA |
”ª–Ø@•¶Žq(HUMIKO Yagi) | 2”N,3”N,4”N | ‰‰K |
20725 |
‘OŠú | ŠG‰æ‚a PrintingB |
”ª–Ø@•¶Žq(HUMIKO Yagi) | 3”N | ‰‰K |
20726 |
ŒãŠú | ŠG‰æ‚b PrintingC |
”ª–Ø@•¶Žq(HUMIKO Yagi) | 3”N,4”N | ‰‰K |
20727 |
ŒãŠú | ŠG‰æ˜_ Theory of Painting |
¬—Ñ@r‰î(KOBAYASI Syunsuke) | 3”N,4”N | ‰‰K |
20728 |
ŒãŠú | ’¤‚` Sculpture A |
“yˆä@Œh^(DOI Hiromasa) | 2”N,3”N,4”N | ‰‰K |
20729 |
‘OŠú | ’¤‚a Sculpture B |
“yˆä@Œh^(DOI Hiromasa) | 3”N,4”N | ‰‰K |
20730 |
‘OŠú | ’¤˜_ Introduction to Sculpture |
“yˆä@Œh^(DOI Hiromasa) | 3”N,4”N | u‹` |
20731 |
ŒãŠú | ƒfƒUƒCƒ“‚` Design A |
‘ì@‹M‘×(HAYAKAWA Takahiro),¼–ì@‹BŽj(NISHINO Takeshi) | 2”N,3”N,4”N | ‰‰K |
20732 |
‘OŠú | ƒfƒUƒCƒ“‚a Design B |
‘ì@‹M‘×(HAYAKAWA Takahiro),¼–ì@‹BŽj(NISHINO Takeshi) | 3”N,4”N | ‰‰K |
20733 |
ŒãŠú | HŒ|‚` Craft Production A |
âV“¡@Šw(SAITO Manabu) | 2”N,3”N,4”N | ‰‰K |
20734 |
‘OŠú | HŒ|‚a Craft Production B |
âV“¡@Šw(SAITO Manabu) | 3”N,4”N | ‰‰K |
20735 |
ŒãŠú | }–@E»} Method of Drawing |
âV“¡@Šw(SAITO Manabu) | 2”N,3”N,4”N | ‰‰K |
20736 |
ŒãŠú | ‰f‘œ•\Œ» Visual Media Expression |
‘ì@‹M‘×(HAYAKAWA Takahiro) | 3”N,4”N | ‰‰K |
20737 |
‘OŠú | ”üp‰È‹³ˆç–@‚` Study of Art Education A |
~â×@F(FURIHATA Takashi) | 2”N,3”N,4”N | u‹`E‰‰K |
20738 |
ŒãŠú | ”üp‰È‹³ˆç–@‚a Study of Art Education B |
’r“c@³(IKEDA Tadashi) | 2”N,3”N,4”N | u‹`E‰‰K |
20739 |
‘OŠú | ”üp‚Ì‹³Þ•ªÍ‚` Art teaching materials A |
“yˆä@Œh^(DOI Hiromasa),¬—Ñ@r‰î(KOBAYASI Syunsuke),”ª–Ø@•¶Žq(HUMIKO Yagi) | 3”N,4”N | ‰‰K |
20740 |
ŒãŠú | ”üp‚Ì‹³Þ•ªÍ‚a Art teaching materials B |
¬—Ñ@r‰î(KOBAYASI Syunsuke) | 2”N,3”N,4”N | ‰‰K |
20741 |
‘OŠú | HŒ|‰È‹³ˆç–@ Methodology of Teaching Crafts Production |
âV“¡@Šw(SAITO Manabu) | 3”N,4”N | u‹` |
20742 |
ŒãŠú | HŒ|‚Ì‹³Þ•ªÍ Practice of Teaching Crafts Production |
âV“¡@Šw(SAITO Manabu) | 3”N,4”N | ‰‰K |
20750 |
‘OŠú | ’nˆæ‘¢Œ`•¶‰»ŽÀ‘H˜_‚` Theory community development by Art |
”ª–Ø@•¶Žq(HUMIKO Yagi) | 3”N,4”N | u‹` |
20751 |
‘OŠú | ’nˆæ‘¢Œ`•¶‰»ŽÀ‘H˜_‚a Study on arts and culture of Yamagata B |
‰¡‘q@W–ç(YOKOKURA Shinya) | 3”N,4”N | u‹` |
20752 |
ŒãŠú | ’nˆæ‘¢Œ`•¶‰»ŽÀ‘H‰‰K‚` Practis community development by art |
”ª–Ø@•¶Žq(HUMIKO Yagi) | 3”N,4”N | ‰‰K |
20753 |
‘OŠú | ’nˆæ‘¢Œ`•¶‰»ŽÀ‘H‰‰K‚a Seminar in arts and culture of Yamagata B |
‰¡‘q@W–ç(YOKOKURA Shinya) | 3”N,4”N | ‰‰K |
20754 |
ŒãŠú | ŠG‰æ‹Z–@‰‰K Seminar on Material and Technique of Painting |
¬—Ñ@r‰î(KOBAYASI Syunsuke) | 3”N,4”N | ‰‰K |
20755 |
ŒãŠú | ’¤‚b Sculpture C |
“yˆä@Œh^(DOI Hiromasa) | 3”N,4”N | ‰‰K |
20757 |
ŒãŠú | HŒ|‚b Craft Production C |
âV“¡@Šw(SAITO Manabu) | 3”N,4”N | ‰‰K |