‰ΉŠyŒ|pƒR[ƒX

ŽžŠΤŠ„
ƒR[ƒh
ŠwŠϊ‰Θ–Ϊ–Ό’S“–‹³ˆυ–ΌŠw”NŒ`‘Τ

20802
‘OŠϊ ƒI[ƒPƒXƒgƒ‰‚`
Orchetra A
“n•Σ@Cg(WATANABE Osami) 2”N,3”N,4”N ‰‰K

20803
ŒγŠϊ ƒI[ƒPƒXƒgƒ‰‚a
Orchestra B
“n•Σ@Cg(WATANABE Osami) 2”N,3”N,4”N ‰‰K

20836
‘OŠϊ ƒsƒAƒm‡U‚`
Piano‡UA
ŒΓ‰κ@–]Žq(KOGA Machiko)AA–؁@—R—˜ŽqiUEKI Yurikoj 2”N,3”N,4”N ‰‰K

20840
ŒγŠϊ ƒsƒAƒm‡U‚a
Piano‡UB
ŒΓ‰κ@–]Žq(KOGA Machiko)AA–؁@—R—˜ŽqiUEKI Yurikoj 2”N,3”N,4”N ‰‰K

20844
‘OŠϊ ΊŠy‡U‚`
Vocal Music ‡U‚`
“‘–μ@—Sˆκ(HUZINO Yuuiti) 2”N,3”N,4”N ‰‰K

20847
ŒγŠϊ ΊŠy‡U‚a
Vocal Music ‡UB
“‘–μ@—SˆκiHUZINO Yuuitij 2”N,3”N,4”N ‰‰K

20850
‘OŠϊ ƒAƒ“ƒTƒ“ƒuƒ‹‡U‚`
Ensemble ‡UA
“n•Σ@Cg(WATANABE Osami) 2”N,3”N,4”N ‰‰K

20852
ŒγŠϊ ƒAƒ“ƒTƒ“ƒuƒ‹‡U‚a
Ensemble IIB
“n•Σ@Cg(WATANABE Osami) 2”N,3”N,4”N ‰‰K

20854
‘OŠϊ μ‹Θ‡U‚`
Composition ‡UA
–Ό‘q@–ΎŽq(NAGURA Akiko) 2”N,3”N,4”N ‰‰K

20855
ŒγŠϊ μ‹Θ‡U‚a
Composition IIB
–Ό‘q@–ΎŽq(NAGURA Akiko) 2”N,3”N,4”N ‰‰K

20856
‘OŠϊ ƒsƒAƒmŒ€‹†‚`
Concert Study A
’†”¨@~(NAKAHATA Makoto)AA–؁@•S‡ŽqiUEKI YurikojAŒΓ‰κ@–]ŽqiKOGA Machikoj 3”N,4”N ‰‰K

20862
ŒγŠϊ ƒsƒAƒmŒ€‹†‚a
Concert Study B
’†”¨@~(NAKAHATA Makoto)AA–؁@•S‡ŽqiUEKI YurikojAŒΓ‰κ@–]ŽqiKOGA Machikoj 3”N,4”N ‰‰K

20864
‘OŠϊ ΊŠyŒ€‹†‚`
Recital StudyFVocal music@‚`
“‘–μ@—Sˆκ(HUZINO Yuuiti)A‰““‘@‹±Žq(ENDO Kyoko) 3”N,4”N ‰‰K

20867
ŒγŠϊ ΊŠyŒ€‹†‚a
Recital StudyFVocal music ‚a
“‘–μ@—Sˆκ(HUZINO Yuuiti)A‰““‘‹±Žq(ENDO Kyoko) 3”N,4”N ‰‰K

20870
‘OŠϊ ƒAƒ“ƒTƒ“ƒuƒ‹Œ€‹†‚`
Ensemble Study A
“n•Σ@Cg(WATANABE Osami) 3”N,4”N ‰‰K

20872
ŒγŠϊ ƒAƒ“ƒTƒ“ƒuƒ‹Œ€‹†‚a
Ensemble Study B
“n•Σ@Cg(WATANABE Osami) 3”N,4”N ‰‰K

20874
‘OŠϊ μ‹ΘŒ€‹†‚`
Composition Reseach A
–Ό‘q@–ΎŽq(NAGURA Akiko) 3”N,4”N ‰‰K

20875
ŒγŠϊ μ‹ΘŒ€‹†‚a
Studies for Composition B
–Ό‘q@–ΎŽq(NAGURA Akiko) 3”N,4”N ‰‰K

20900
‘OŠϊ ŽwŠφ–@‚`
Conducting A
“n•Σ@Cg(WATANABE Osami) 3”N,4”N ‰‰K

20901
ŒγŠϊ ŽwŠφ–@‚a
Conducting B
“n•Σ@Cg(WATANABE Osami) 3”N,4”N ‰‰K

20902
‘OŠϊ ‡₯‚b
Chorus ‚b
“‘–μ@—Sˆκ(HUZINO Yuuiti),“n•Σ@Cg(WATANABE Osami) 2”N,3”N,4”N ‰‰K

20903
ŒγŠϊ ‡₯‚c
Chorus D
“‘–μ@—Sˆκ(HUZINO Yuuiti),“n•Σ@Cg(WATANABE Osami) 2”N,3”N,4”N ‰‰K

20904
‘OŠϊ ‡₯‚d
Chorus E
“‘–μ@—Sˆκ(HUZINO Yuuiti),“n•Σ@Cg(WATANABE Osami) 3”N,4”N ‰‰K

20905
ŒγŠϊ ‡₯‚e
Chorus F
“‘–μ@—Sˆκ(HUZINO Yuuiti),“n•Σ@Cg(WATANABE Osami) 3”N,4”N ‰‰K

20906
‘OŠϊ ƒI[ƒPƒXƒgƒ‰‚b
Orchestra C
“n•Σ@Cg(WATANABE Osami) 3”N,4”N ‰‰K

20907
ŒγŠϊ ƒI[ƒPƒXƒgƒ‰‚c
Orchestra D
“n•Σ@Cg(WATANABE Osami) 3”N,4”N ‰‰K

20908
‘OŠϊ ƒ\ƒ‹ƒtƒF[ƒWƒ…‡T
Solfege ‡T
–Ό‘q@–ΎŽq(NAGURA Akiko) 2”N,3”N,4”N Žΐ‹Z

20909
ŒγŠϊ ƒ\ƒ‹ƒtƒF[ƒWƒ…‡U
Solfege ‡U
–Ό‘q@–ΎŽq(NAGURA Akiko) 2”N,3”N,4”N Žΐ‹Z

20910
‘OŠϊ ƒ\ƒ‹ƒtƒF[ƒWƒ…‡V
Solfege III
–Ό‘q@–ΎŽq(NAGURA Akiko) 3”N,4”N Žΐ‹Z

20911
’Κ”N ŠΗŒ·‘ΕŠyŠν‘t–@‡Ui–ΨŠΗŠyŠνj
Method of Playing Orchestral Instruments ‡U (Wood wind Instruments)
‘«’B@ΛŽ‘@Shozi Adachi βV“‘@^”ό@Manami Saito ‹½’Á@—²K@Takayuki Gozu γ–μ@Œ’@Ken Ueno 2”N,3”N,4”N ‰‰K

20915
’Κ”N ŠΗŒ·‘ΕŠyŠν‘t–@‡Ui‹ΰŠΗE‘ΕŠyŠνj
Method of Playing Orchestral Instruments II (Brass • Percussion Instruments)
ˆδγ’ΌŽχiINOUE Naoki) ŠΦ’J’q—m(SEKIYA Tomohiro) ϋό‹΄’qOiTAKAHASHI Tomohiro) ‹gŒ΄‚·‚έ‚κ(YOSHIHARA Sumire) 2”N,3”N,4”N ‰‰K

20919
’Κ”N ŠΗŒ·‘ΕŠyŠν‘t–@‡UiŒ·ŠyŠνj
Method of Orchestral Instruments ‡U(Stringed Instruments)
Œ’•š@ˆŸ—’@Ari Inubushi ¬“c@Š°@Hiroshi Narita ‹v—Η–Ψ‰ΔŠC@Natsumi Kuraki –φΰV@’q”V@Tomoyuki Yanagisawa 2”N,3”N,4”N ‰‰K

20923
’Κ”N ŠΗŒ·‘ΕŠyŠν‘t–@‡Vi–ΨŠΗŠyŠνj
Method of playing orchestral instruments III
‘«’B@ΛŽ‘@Shozi Adachi βV“‘@^”ό@Manami Saito ‹½’Á@—²K@Takayuki Gozu γ–μ@Œ’@Ken Ueno 3”N,4”N ‰‰K

20927
’Κ”N ŠΗŒ·‘ΕŠyŠν‘t–@‡Vi‹ΰŠΗE‘ΕŠyŠνj
Method of playing orchestral instruments III
ˆδγ’ΌŽχiINOUE Naoki) ŠΦ’J’q—m(SEKIYA Tomohiro) ‚‹΄’qOiTAKAHASHI Tomohiro) ‹gŒ΄‚·‚έ‚κ(YOSHIHARA Sumire) 3”N,4”N ‰‰K

20931
’Κ”N ŠΗŒ·‘ΕŠyŠν‘t–@‡ViŒ·ŠyŠνj
Method of Orchestral Instruments ‡V(Stringed Instruments)
Œ’•š@ˆŸ—’@Ari Inubushi ¬“c@Š°@Hiroshi Narita ‹v—Η–Ψ‰ΔŠC@Natsumi Kuraki –φΰV@’q”V@Tomoyuki Yanagisawa 3”N,4”N ‰‰K

20935
‘OŠϊ ‰ΉŠyŽj‡T‚`
Music History 1A
‘εŠp@‹Σ–ξ(OHSUMI Kinya) 2”N,3”N,4”N u‹`

20936
ŒγŠϊ ‰ΉŠyŽj‡T‚a
Music History 1 B
‘εŠp@‹Σ–ξ(OHSUMI Kinya) 2”N,3”N,4”N u‹`

20937
‘OŠϊ ‰ΉŠyŽj‡U‚`
Music History 2A
’ΛŒ΄@NŽq(TSUKAHARA Yasuko) 3”N,4”N u‹`

20938
ŒγŠϊ ‰ΉŠyŽj‡U‚a
Music History 2B
¬‰–@‚³‚Ƃ݁iOSHIO satomij 3”N,4”N u‹`

20939
‘OŠϊ “ϊ–{‰ΉŠy‰‰K
Japnese Music
“n•”@Όˆ§(WATANABE Shoho) 3”N,4”N ‰‰K

20940
‘OŠϊ ƒIƒyƒ‰‚`
Seminar in Opera A
“‘–μ@—Sˆκ(HUZINO Yuuiti),“n•Σ@Cg(WATANABE Osami) 2”N,3”N,4”N ‰‰K

20941
ŒγŠϊ ƒIƒyƒ‰‚a
Seminar in Opera B
“‘–μ@—Sˆκ(HUZINO Yuuiti),“n•Σ@Cg(WATANABE Osami) 2”N,3”N,4”N ‰‰K

20942
‘OŠϊ ƒIƒyƒ‰‚b
Seminar in Opera C
“‘–μ@—Sˆκ(HUZINO Yuuiti),“n•Σ@Cg(WATANABE Osami) 3”N,4”N ‰‰K

20943
ŒγŠϊ ƒIƒyƒ‰‚c
Seminar in Opera D
“‘–μ@—Sˆκ(HUZINO Yuuiti),“n•Σ@Cg(WATANABE Osami) 3”N,4”N ‰‰K

20944
ŒγŠϊ ΆŠU‰ΉŠyŠwK˜_
Lifelong@Music@Learning
²μ@Š](SAGAWA Kaoru) 3”N,4”N u‹`A‰‰K

20945
‘OŠϊ ƒAƒEƒgƒŠ[ƒ`‚`
Outreach A
“‘–μ@—Sˆκ(HUZINO Yuuiti),²μ@Š](SAGAWA Kaoru),“n•Σ@Cg(WATANABE Osami),–Ό‘q@–ΎŽq(NAGURA Akiko) 2”N,3”N,4”N ‰‰K

20946
ŒγŠϊ ƒAƒEƒgƒŠ[ƒ`‚a
Outreach B
“‘–μ@—Sˆκ(HUZINO Yuuiti),²μ@Š](SAGAWA Kaoru),“n•Σ@Cg(WATANABE Osami),–Ό‘q@–ΎŽq(NAGURA Akiko) 2”N,3”N,4”N ‰‰K

20947
‘OŠϊ ƒAƒEƒgƒŠ[ƒ`‚b
Outreach ‚b
“‘–μ@—Sˆκ(HUZINO Yuuiti),“n•Σ@Cg(WATANABE Osami),–Ό‘q@–ΎŽq(NAGURA Akiko) 3”N,4”N ‰‰K

20948
ŒγŠϊ ƒAƒEƒgƒŠ[ƒ`‚c
Outreach D
“‘–μ@—Sˆκ(HUZINO Yuuiti),²μ@Š](SAGAWA Kaoru),“n•Σ@Cg(WATANABE Osami),–Ό‘q@–ΎŽq(NAGURA Akiko) 3”N,4”N ‰‰K

20949
‘OŠϊ ‰ΉŠy‰Θ‹³ˆη–@‚`
Teaching Method (Music) A
²μ@Š](SAGAWA Kaoru) 2”N,3”N,4”N u‹`A‰‰K

20950
ŒγŠϊ ‰ΉŠy‰Θ‹³ˆη–@‚a
Teaching Method (Music) B
²μ@Š](SAGAWA Kaoru) 2”N,3”N,4”N u‹`A‰‰K

20951
‘OŠϊ ‰ΉŠy‚Μ‹³ή•ͺΝ‚`
Teaching materials study in Music ‚`
“‘–μ@—Sˆκ(HUZINO Yuuiti),“n•Σ@Cg(WATANABE Osami) 2”N,3”N,4”N ‰‰K

20952
‘OŠϊ ‰ΉŠy‚Μ‹³ή•ͺΝ‚a
Teaching materials study in Music B
“n•Σ@Cg(WATANABE Osami) 3”N,4”N ‰‰K

20970
‘OŠϊ ‡₯‚f
Chorus ‚f
“‘–μ@—Sˆκ(HUZINO Yuuiti),“n•Σ@Cg(WATANABE Osami) 4”N ‰‰K

20971
ŒγŠϊ ‡₯‚g
Chorus H
“‘–μ@—Sˆκ(HUZINO Yuuiti),“n•Σ@Cg(WATANABE Osami) 4”N ‰‰K

20972
‘OŠϊ ƒI[ƒPƒXƒgƒ‰‚d
Orchestra E
“n•Σ@Cg(WATANABE Osami) 4”N ‰‰K

20973
ŒγŠϊ ƒI[ƒPƒXƒgƒ‰‚e
Orchestra F
“n•Σ@Cg(WATANABE Osami) 4”N ‰‰K

20974
‘OŠϊ ƒIƒyƒ‰‚d
Seminar in Opera E
“‘–μ@—Sˆκ(HUZINO Yuuiti),“n•Σ@Cg(WATANABE Osami) 4”N ‰‰K

20975
ŒγŠϊ ƒIƒyƒ‰‚e
Seminar in Opera F
“‘–μ@—Sˆκ(HUZINO Yuuiti),“n•Σ@Cg(WATANABE Osami) 4”N ‰‰K