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ŽžŠÔŠ„
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ŠwŠú‰È–Ú–¼’S“–‹³ˆõ–¼Šw”NŒ`‘Ô

21400
‘OŠú ’nˆæŒ|p•¶‰»ŽÀ‘H˜_
Theory of Arts and Cultural Activities in the Region
“¡–ì@—Sˆê(HUZINO Yuuiti),¬—Ñ@r‰î(KOBAYASI Syunsuke),“n•Ó@Cg(WATANABE Osami),”ª–Ø@•¶Žq(HUMIKO Yagi),“yˆä@Œh^(DOI Hiromasa),–¼‘q@–¾Žq(NAGURA Akiko),âV“¡@Šw(SAITO Manabu) 1”N u‹`

21401
‘OŠú SgŒ’NŽx‰‡ŽÀ‘H˜_
Physical and mental health assistance practice theory
“í–{@Œ’“ñ(KUSUMOTO Kenji),²“¡@G•½(SATO Kohei),ˆäã@Œ÷ˆê˜Y(INOUE Koichiro)’|“c—²ˆê(TAKEDA Ryuichi),²X–Ø‹†(SASAKI Kyu)C’r“c‰pŽ¡(IKEDA Eiji)C“¡‰ª‹v”üŽq(FUJIOKA Kumiko),‹{èº(MIYAZAKI Akira),ŠÖŒû—Yˆê(SEKIGUCHI Yuichi),¼èŠw(MATSUZAKI Manabu) 1”N u‹`

21402
‘OŠú ¶Šˆ•¶‰»˜_
Cultural Historial Studies
Ί_@˜aŒb(ISHIGAKI Kazue) 1”N u‹`

21403
ŒãŠú H•¶‰»˜_
Food Culture
‘åX@Œj(OMORI Katsura) 1”N u‹`

21404
ŒãŠú ƒ‰ƒCƒtƒXƒe[ƒW‚ƃXƒ|[ƒc
Lifestage and Sports
—é–Ø@˜aO(SUZUKI Kazuhiro),“nç³@MW(WATANABE Nobuaki),’r“c@‰pŽ¡(IKEDA Eiji) 1”N u‹`

21405
‘OŠú S—ŠwŠT˜_
Introduction to Psychology
²“¡@G•½(SATO Kohei) 1”N u‹`

21406
‘OŠú ¶ŠUƒXƒ|[ƒcŠw
theory of lifelong sport
ù£@‰ëŽj(SASASE Masasi) 1”N u‹`

21407
‘OŠú ƒ\ƒ‹ƒtƒF[ƒWƒ…Šî‘b
Solfege Basics
–¼‘q@–¾Žq(NAGURA Akiko) 1”N u‹`

21408
‘OŠú •½–Ê‘¢Œ`Šî‘b
Basics of Painting
¬—Ñ@r‰î(KOBAYASI Syunsuke) 1”N ‰‰K

21409
ŒãŠú ‘¢Œ`•¶‰»˜_
Art and Culture
¬—Ñ@r‰î(KOBAYASI Syunsuke) 1”N u‹`

21410
ŒãŠú ‰¹Šy•¶‰»˜_
Theory of Musical Culture
“¡–ì@—Sˆê(HUZINO Yuuiti),“n•Ó@Cg(WATANABE Osami),–¼‘q@–¾Žq(NAGURA Akiko) 1”N u‹`

21411
ŒãŠú ƒXƒ|[ƒc‰ÈŠwŠî‘b˜_
Introduction to sports sciences
ˆäã@Œ÷ˆê˜Y(INOUE Koichiro),ù£@‰ëŽj(SASASE Masasi),’|“c@—²ˆê(TAKEDA Ryuichi),²X–Ø@‹†(SASAKI Kyuu),“nç³@MW(WATANABE Nobuaki),’r“c@‰pŽ¡(IKEDA Eiji) 1”N u‹`

21412
ŒãŠú H‚ÆŒ’N
Diet and Health Sciences
“í–{@Œ’“ñ(KUSUMOTO Kenji) 1”N u‹`

21413
ŒãŠú ‰¹Šy—˜_Šî‘b
Music Theory Basics
–¼‘q@–¾Žq(NAGURA Akiko) 1”N u‹`

21414
ŒãŠú ŠÇŒ·‘ÅŠyŠí‘t–@Šî‘bi–ØŠÇŠyŠíj
Basic Method of Playing Orchestral Instruments (Wood wind Instruments)
‘«’B@ËŽ¡iShozi AdachijAâV“¡@^”üiManami Saitoj ‹½’Ã@—²KiTakayuki GozujAã–ì@Œ’iKen Uenoj 1”N ‰‰K

21418
ŒãŠú ŠÇŒ·‘ÅŠyŠí‘t–@Šî‘bi‹àŠÇE‘ÅŠyŠíj
Basic Method of Playing Orchestral Instruments (Brass • Percussion Instruments)
ˆäã’¼Ž÷iINOUE Naoki) ŠÖ’J’q—m(SEKIYA Tomohiro) ûü‹´’qOiTAKAHASHI Tomohiro) ‹gŒ´‚·‚Ý‚ê(YOSHIHARA Sumire) 1”N ‰‰K

21422
ŒãŠú ŠÇŒ·‘ÅŠyŠí‘t–@Šî‘biŒ·ŠyŠíj
Basic Method of Orchestral Instruments (Stringed Instruments)
Œ¢•š@ˆŸ—¢iAri Inubushij¬“c@Š°iHiroshi Naritaj ‹v—ǖ؉ĊCiNatsumi Kurakij–öàV@’q”ViTomoyuki Yanagisawaj 1”N ‰‰K

21426
ŒãŠú Œ®”ÕŠyŠí‘t–@Šî‘b
Keyboard Instrument Performance Basis
–¢’è 1”N ‰‰K

21427
ŒãŠú ºŠyŠî‘b
Vocal Music Basics
“¡–ì@—Sˆê(HUZINO Yuuiti) 1”N ‰‰K

21428
ŒãŠú —§‘Ì‘¢Œ`Šî‘b
Elements Art & Design in the Three-Dimensional Expression
âV“¡@Šw(SAITO Manabu),“yˆä@Œh^(DOI Hiromasa) 1”N ‰‰K

21429
ŒãŠú S—Šw“Œv–@
Statistical Methods of Psychology
oŒû@‹B(DEGUCHI Takeshi) 1”N u‹`

21430
‘OŠú ‘̈çƒXƒ|[ƒcŽÀ‹Zi…‰jEƒAƒNƒAƒXƒ|[ƒcj
Sports Skills(SwimmingEAquasportsj
Έä@—T–¾(ISHII Hiroaki) 1”N ŽÀ‹Z