lŠÔ•¶‰»Šw‰È

ŽžŠÔŠ„
ƒR[ƒh
ŠwŠú‰È–Ú–¼’S“–‹³ˆõ–¼Šw”NŒ`‘Ô

11070
‘OŠú ¶ŠUŠwKŠT˜_
Lifelong Learning
Žè‘Å –¾•q(TEUCHI Akitoshi) 2”N,3”N,4”N W’†u‹`

11072
‘OŠú ”Ž•¨ŠÙŠT˜_
Museology
²“¡ ‹ÕiSATO Kotoj 1”N,2”N,3”N,4”N u‹`

11073
ŒãŠú ”Ž•¨ŠÙŒo‰c˜_
Museum Management
²“¡ ‹ÕiSATO Kotoj 2”N,3”N,4”N u‹`

11074
ŒãŠú ”Ž•¨ŠÙŽ‘—¿˜_
Museum Collections Management
²“¡ ‹ÕiSATO Koto) 2”N,3”N,4”N u‹`

11075
‘OŠú ”Ž•¨ŠÙŽ‘—¿•Û‘¶˜_
Preservation of Museum Collections
‹yì ‹K(OIKAWA Tadashi) 3”N,4”N u‹`

11076
ŒãŠú ”Ž•¨ŠÙ“WŽ¦˜_
Museum Exhibition
‰ª•” MK(OKABE Nobuyuki) 3”N,4”N W’†u‹`

11077
‘OŠú ”Ž•¨ŠÙ‹³ˆç˜_
Museum Education
ŽRú± —T(YAMAZAKI Yutaka) 3”N,4”N u‹`

11078
‘OŠú ”Ž•¨ŠÙî•ñEƒƒfƒBƒA˜_
Museum Informatics
²“¡ ‹Õ(SATO Koto) 2”N,3”N,4”N u‹`

11080
‘OŠú ”Ž•¨ŠÙŽÀK
Practice and Excursion in Museology
•‘®”Ž•¨ŠÙ’·,²“¡‹ÕiSATO Kotoj 3”N,4”N ŽÀK

11081
‘OŠú ‘“¹i‘OŠúj
Japanese Calligraphy
“n•” ËŽq(WATANABE Yoshiko) 2”N,3”N,4”N u‹`

11082
ŒãŠú ‘“¹iŒãŠúj
East Asian Calligraphy
A¼ _Ë(UEMATSU Hiroyoshi) 2”N,3”N,4”N ‰‰K

11085
‘OŠú ƒ‰ƒeƒ“Œê‡T
Elementary Latin I
’r“c Œõ‘¥(IKEDA Mitsunori) 2”N,3”N,4”N ‰‰K

11086
ŒãŠú ƒ‰ƒeƒ“Œê‡U
Elementary Latin II
’r“c Œõ‘¥(IKEDA Mitsunori) 2”N,3”N,4”N ‰‰K

11090
ŒãŠú ”Ž•¨ŠÙŽÀK
Practice and Excursion in Museology
•‘®”Ž•¨ŠÙ’·A²“¡‹ÕiSATO Kotoj 3”N,4”N u‹`‚¨‚æ‚ÑŽÀKiW’†j

13001
‘OŠú ŠÂ‹«’n—ŠwŠT˜_
Introduction to Environmental Geography
ˆÉ“¡ »•¶(ITO Akifumi) 2”N,3”N,4”N u‹`

13002
‘OŠú l•¶’n—ŠwŠT˜_
Introduction of Human Geography
ŽR“c _‹v(YAMADA Hirohisa) 2”N,3”N,4”N u‹`

13003
‘OŠú ŽÐ‰ïŠwŠT˜_
Introduction to Sociology
ˆ¢•” WŽm(ABE Koji) 2”N,3”N,4”N u‹`

13004
ŒãŠú S—ŠwŠT˜_
Undergraduate@Lecture@on@General Psychology
²“¡@(SATOU Kaori) 2”N,3”N,4”N u‹`

13005
‘OŠú ”F’mS—ŠwŠT˜_
Introduction to Cognitive Psychology
‘å™@®”V(OSUGI Takayuki) 2”N,3”N,4”N u‹`

13007
‘OŠú lŠÔî•ñ‰ÈŠwŠT˜_
Introduction to Human Information Science
–{‘½ ŒO(HONDA Kaoru) 2”N,3”N,4”N u‹`

13008
‘OŠú Œ¾ŒêŠwŠT˜_
Introduction to Linguistics
’r“c Œõ‘¥(IKEDA Mitsunori) 2”N,3”N,4”N u‹`

13009
‘OŠú “ú–{ŒêŠwŠT˜_
Introduction to Japanese Linguistics
’†àV MK(NAKAZAWA Nobuyuki) 2”N,3”N,4”N u‹`

13010
‘OŠú ‰pŒêŠwŠT˜_
Introduction to English Lingusitics
•xàV ’¼l(TOMIZAWA Naoto) 2”N,3”N,4”N u‹`

13011
‘OŠú •¶‰»“®‘Ô˜_i“ú–{j
Introduction to History and Anthropology(Japan)
‹gˆä •¶”ü(YOSHII Fumi), \ì —zˆê(SOGAWA Yoichi) 2”N,3”N,4”N u‹`

13012
‘OŠú •¶‰»“®‘Ô˜_iƒAƒWƒAj
Introduction to History and Anthropology (Asia)
’†‘º “ÄŽu(NAKAMURA Atsushi) 2”N,3”N,4”N u‹`

13013
‘OŠú •¶‰»“®‘Ô˜_iƒˆ[ƒƒbƒpj
Introduction to History and Anthropology (Europe)
ŽRè ²(YAMAZAKI Akira) 2”N,3”N,4”N u‹`

13014
‘OŠú •¶‰»“®‘Ô˜_il—Þj
Introduction to History and Anthropology (Anthropology)
ŽR–{–r(YAMAMOTO Atsushi)C¼–{ —Yˆê(MATSUMOTO Yuichi) 2”N,3”N,4”N u‹`

13015
‘OŠú •¶‰»l—ÞŠwŠT˜_iˆêj
Introduction to Cultural Anthropology‡T
âˆä@³l(SAKAI Masato) 2”N,3”N,4”N u‹`

13016
‘OŠú •¶‰»l—ÞŠwŠT˜_i“ñj
Introduction to Cultural Anthroplogy‡U
ŽR–{ –r(YAMAMOTO Atsushi),¼–{ —Yˆê(MATSUMOTO Yuichi) 2”N,3”N,4”N u‹`

13017
ŒãŠú “ú–{ŽjŠT˜_
Introduction to Japanese History
¼”ö „ŽŸ(MATSUO Kenji) 2”N,3”N,4”N u‹`

13018
ŒãŠú ƒAƒWƒAŽjŠT˜_
Introduction to Asian History
V‹{ Šw(ARAMIYA Manabu) 2”N,3”N,4”N u‹`

13019
‘OŠú ƒˆ[ƒƒbƒpŽjŠT˜_
Introduction to European History
ŸÇ–ì –¾(ASANO Akira) 2”N,3”N,4”N u‹`

13020
‘OŠú ˜_—ŠwŠT˜_
Introduction to Logic
´’Ë –M•F(KIYOZUKA Kunihiko) 2”N,3”N,4”N u‹`

13021
‘OŠú “NŠwŠT˜_
Introduction to Philosophy
´’Ë –M•F(KIYOZUKA Kunihiko) 2”N,3”N,4”N u‹`

13023
ŒãŠú •¶ŠwŠT˜_
Introduction to Literature
X‰ª‘ìŽi(MORIOKA Takashi),¼ãŸ(NISHIGAMI Masaru),‘Š‘ò’¼Ž÷(AIZAWA Naoki) 2”N,3”N,4”N u‹`

13024
‘OŠú “ú–{•¶ŠwŠT˜_iˆêj
Introduction to Japanese Literature‡T
‹{˜@’¼l(MIYAKOSHI Naoto) 2”N,3”N,4”N u‹`

13026
‘OŠú ’†‘•¶ŠwŠT˜_
Introduction to Chinese Literature
¼ã Ÿ(NISHIGAMI Masaru) 2”N,3”N,4”N u‹`

13027
ŒãŠú ‰p•Ä•¶ŠwŠT˜_iˆêj
Introduction to Anglo-American Literature
’†‘º@—²(NAKAMURA Takasi) 2”N,3”N,4”N u‹`

13030
‘OŠú ”üŠwEŒ|pŠwŠT˜_
Introduction to Aesthetics and Art Studies
ÎàV@–õ“T(ISHIZAWA Yasunori) 2”N,3”N,4”N u‹`

13031
‘OŠú •\Û•¶‰»ŠT˜_
Introduction to Studies of Representational Culture
Š`•À —Ç—CiKAKINAMI Ryosukej 2”N,3”N,4”N u‹`

13032
‘OŠú ‘Û•¶‰»ŠwŠT˜_
Introduction to International Culture
“V–ì ®Ž÷(AMANO Naoki), “n•Ó «®(WATANABE Masanao), ¡‘º ^‰›(IMAMURA Masao) 2”N,3”N,4”N u‹`

13033
ŒãŠú ‹ßŒ»‘ã’†‘•¶‰»ŠT˜_
Introduction to Chinese Modern Culture
‹–Žž‰ÃiHsu shih-chiaj 2”N,3”N,4”N u‹`

13034
‘OŠú ‰¢•Ä•¶‰»ŠT˜_
Introduction to European and North American Culture
Û’Ã@—²M(SETTSU Takanobu),‘ŠàV@’¼Ž÷(AIZAWA Naoki),Š`•À@—Ç—C(KAKINAMI Ryosuke),’†‘º@—²(NAKAMURA Takasi) 2”N,3”N,4”N u‹`

13035
‘OŠú ”äŠr•¶‰»ŠT˜_
Introduction to Comparative Culture
ˆÉ“¡ –L(ITO Yutaka)A‹– Žž‰Ã(HSU Shih-chia) 2”N,3”N,4”N u‹`

13102
ŒãŠú ’n}î•ñ˜_
Cartography
ˆÉ“¡@»•¶(ITO Akifumi) 2”N,3”N,4”N u‹`

13103
‘OŠú ’nˆæ\‘¢˜_
Urban Geography
ŽR“c _‹v(YAMADA Hirohisa) 2”N,3”N,4”N u‹`

13104
ŒãŠú ’nŽŠw
Regional Geography
ŽR“c _‹v(YAMADA Hirohisa) 2”N,3”N,4”N u‹`

13105
ŒãŠú Œ»‘ãŽÐ‰ïŠw
Contemporary Sociology
–x“à@Žj˜N(HORIUCHI Shiro) 2”N,3”N,4”N W’†u‹`

13107
‘OŠú ŽÐ‰ï’²¸˜_
Theory of Social Research
_—Ñ@”ŽŽj(KAMBAYASHI Hiroshi) 2”N,3”N,4”N u‹`

13108
ŒãŠú ’²¸•û–@˜_
Social Research Methodology
ˆ¢•” WŽm(ABE Koji) 2”N,3”N,4”N u‹`

13113
‘OŠú Œ¾ŒêŠw“ÁŽêu‹`i‘OŠúj
Topics in Linguistics
•y“c@‚©‚¨‚é(TOMITA Kaoru) 2”N,3”N,4”N u‹`

13114
ŒãŠú Œ¾ŒêŠw“ÁŽêu‹`iŒãŠúj
Topics in Linguistics
’r“c Œõ‘¥(IKEDA Mitsunori) 2”N,3”N,4”N u‹`

13115
‘OŠú “ú–{ŒêŠw“ÁŽêu‹`i‘OŠúj
Topics in Japanese Linguistics
“n•Ó •¶¶(WATANABE Fumio) 2”N,3”N,4”N u‹`

13116
ŒãŠú “ú–{ŒêŠw“ÁŽêu‹`iŒãŠúj
Topics in Japanese Linguistics
’†àV MK(NAKAZAWA Nobuyuki) 2”N,3”N,4”N u‹`

13117
‘OŠú ‰pŒêŠw“ÁŽêu‹`i‘OŠúj
Topics in English Linguistics
—é–Ø ‹œ(SUZUKI Toru) 2”N,3”N,4”N u‹`

13118
ŒãŠú ‰pŒêŠw“ÁŽêu‹`iŒãŠúj
Topics in English Linguistics (2nd semester)
•xàV ’¼l(TOMIZAWA Naoto) 2”N,3”N,4”N u‹`

13119
ŒãŠú “ú–{ŒêŠw•¶–@u‹`
Topics in Japanese Grammar
“n•Ó •¶¶(WATANABE Fumio) 2”N,3”N,4”N u‹`

13120
‘OŠú Œ¾ŒêŠw‘‡u‹`
Overview of Linguistics
’r“c Œõ‘¥(IKEDA Mitsunori), IRWIN Mark(IRWIN Mark), RYAN Stephen B.(RYAN Stephen B.), —é–Ø ‹œ(SUZUKI Toru), •xàV ’¼l(TOMIZAWA Naoto), ¬ò—L‹IŽq(KOIZUMI Yukiko), •y“c ‚©‚¨‚é(TOMITA Kaoru), ’†àV MK(NAKAZAWA Nobuyuki), “n•Ó •¶¶(WATANABE Fumio), ûü‹´ ^•F(TAKAHASHI Masahiko) 2”N,3”N,4”N u‹`

13121
ŒãŠú “ú‰p‘ÎÆŒ¾ŒêŠwu‹`
Contrastive Linguistic Study of Japanese and English
—é–Ø ‹œ(SUZUKI Toru) 2”N,3”N,4”N u‹`

13123
ŒãŠú •¶‰»l—ÞŠwu‹`iˆêj
Cultural Anthropolpogy ‡T
âˆä@³l(SAKAI Masato) 2”N,3”N,4”N u‹`

13124
ŒãŠú •¶‰»l—ÞŠwu‹`i“ñj
Lecture on Cultural Anthropology II
ŽR–{–r(YAMAMOTO Atsushi),¼–{ —Yˆê(MATSUMOTO Yuichi) 2”N,3”N,4”N u‹`

13125
ŒãŠú “ú–{Žju‹`iˆêj
Japanese History(I)
‹gˆä •¶”ü(YOSHII Fumi) 2”N,3”N,4”N u‹`

13126
‘OŠú “ú–{Žju‹`i“ñj
Japanese History (‡U)
¼”ö „ŽŸ(MATSUO Kenji) 2”N,3”N,4”N u‹`

13127
‘OŠú ƒAƒWƒAŽju‹`iˆêj
Asian History (I)Topics Asian History ‡T
V‹{ Šw(ARAMIYA Manabu) 2”N,3”N,4”N u‹`

13128
ŒãŠú ƒAƒWƒAŽju‹`i“ñj
Asian History (II)
’†‘º “ÄŽu(NAKAMURA Atsushi) 2”N,3”N,4”N u‹`

13130
ŒãŠú ƒˆ[ƒƒbƒpŽju‹`i“ñj
European History (II)
ŽRè ²(YAMAZAKI Akira) 2”N,3”N,4”N u‹`

13131
ŒãŠú ‹L†˜_
Semiotics
´’Ë –M•F(KIYOZUKA Kunihiko) 2”N,3”N,4”N u‹`

13132
‘OŠú ¼—m“NŠwŽj
History of Western Philosophy
¬ŒF ³‹v(OGUMA Masahisa) 2”N,3”N,4”N u‹`

13134
ŒãŠú “NŠwu‹`i“ñj
Topics in Philosophy (II)
¬ŒF ³‹v(OGUMA Masahisa) 2”N,3”N,4”N u‹`

13135
ŒãŠú Œ»‘㉞—p—Ï—
Lecture on Applied Ethics
´’Ë@–M•F(KIYOZUKA Kunihiko) 2”N,3”N,4”N u‹`

13136
ŒãŠú “ú–{ŒÃ“T•¶Šwu‹`
Japanese Literature-Classical
‹{˜ ’¼l(MIYAKOSHI Naoto) 2”N,3”N,4”N u‹`

13137
ŒãŠú “ú–{Œ»‘㕶Šwu‹`
Lecture on Japanese Modern Literature
X‰ª ‘ìŽi(MORIOKA Takashi) 2”N,3”N,4”N u‹`

13138
ŒãŠú ’†‘•¶Šwu‹`
Topics in Chinese Literature
¼ã Ÿ(NISHIGAMI Masaru)C‹– Žž‰ÃiHSU Shih-chiaj 2”N,3”N,4”N u‹`

13140
ŒãŠú ƒAƒƒŠƒJŒ¤‹†“ÁŽêu‹`
Topics in American Studies
‰F’à ‚Ü‚èŽq(UTSU Mariko) 2”N,3”N,4”N u‹`

13141
ŒãŠú Œ|p•¶‰»“ÁŽêu‹`
Topics in Art History and Art Culture
ÎàV –õ“T(ISHIZAWA Yasunori) 2”N,3”N,4”N u‹`

13142
‘OŠú ”üŠwEŒ|pŠw“ÁŽêu‹`
Topics in Aesthetics and Study of Art
Œ³–ØKˆê(MOTOKI Koichi) 2”N,3”N,4”N u‹`

13143
ŒãŠú •\Û•¶‰»u‹`
Cultural Representation
ÎàV –õ“T(ISHIZAWA Yasunori) 2”N,3”N,4”N u‹`

13144
‘OŠú ‰f‘œŠwu‹`
Studies of Visual Images
‘å‹v•Û ´˜N(OOKUBO Kiyoaki) 2”N,3”N,4”N u‹`

13145
‘OŠú Œ»‘ã’†‘˜_
Modern China
‹– Žž‰Ã(HSU Shih-chia) 2”N,3”N,4”N u‹`

13146
ŒãŠú ’†‘ŒêŠwu‹`
Introduction to Chinese Linguistics
•ŸŽR ‘×’j(FUKUYAMA Yasuo) 2”N,3”N,4”N u‹`

13147
‘OŠú ‰p•Ä•¶‰»˜_
English and American Culture
²“¡@´l(SATO Kiyoto) 2”N,3”N,4”N u‹`

13148
ŒãŠú ƒhƒCƒc•¶‰»˜_
German Culture
ےײM(SETTSU Takanobu) 2”N,3”N,4”N u‹`

13149
ŒãŠú ƒtƒ‰ƒ“ƒX•¶‰»˜_
French Culture, Culture francaise
‡“c —z—S(GODA Yosuke) 2”N, 3”N, 4”N u‹`

13150
ŒãŠú ƒƒVƒA•¶‰»˜_
Russian Culture
‘Š‘ò ’¼Ž÷(AIZAWA Naoki) 2”N,3”N,4”N u‹`

13151
ŒãŠú ”äŠr•¶Šwu‹`
Lecture in Comparative Literature
“n•Ó «®iWATANABE Masanaoj 2”N,3”N,4”N u‹`

13152
ŒãŠú •¶‰»Œð—¬Žju‹`
World Cultural History
ˆÉ“¡ –L(ITO Yutaka) 2”N,3”N,4”N u‹`

13153
ŒãŠú “ú–{Žju‹`iŽOj
Japanese History
\ì —zˆê(SOGAWA Yoichi) 2”N,3”N,4”N u‹`

13154
‘OŠú ‹É“Œ’nˆæ˜_
Russian Far East Studies
“V–ì ®Ž÷(AMANO Naoki) 2”N,3”N,4”N u‹`

13155
‘OŠú “Œ“ìƒAƒWƒA’nˆæ˜_
Southeast Asian Studies
¡‘º ^‰›(IMAMURA Masao) 2”N,3”N,4”N u‹`

13156
ŒãŠú ‘Û‹¦—͘_
International Cooperation
¡‘º ^‰›(IMAMURA Masao) 2”N,3”N,4”N ‰‰K

13201
‘OŠú ŠÂ‹«’n—Šw‰‰K
Seminar in Environmental Geography
ˆÉ“¡ »•¶(ITO Akifumi) 2”N,3”N,4”N ‰‰K

13202
ŒãŠú ’nŒ—ŠÂ‹«˜_‰‰K
Seminar in Geomorphology
ˆÉ“¡ »•¶(ITO Akifumi) 2”N,3”N,4”N ‰‰K

13203
‘OŠú ’nˆæ\‘¢˜_‰‰K
Seminar in Urban Geograpy
ŽR“c _‹v(YAMADA Hirohisa) 2”N,3”N,4”N ‰‰K

13204
‘OŠú ŠÂ‹«’n—Šw’²¸ŽÀK
Fieldwork in Environmental Geography
ˆÉ“¡ »•¶(ITO Akifumi) 2”N,3”N,4”N ŽÀK

13205
ŒãŠú “sŽs’n—Šw’²¸ŽÀK
Fieldwork in Urban Geography
ŽR“c _‹v(YAMADA Hirohisa) 2”N,3”N,4”N ŽÀK

13207
ŒãŠú ŽÐ‰ïŠw‰‰KiŒãŠúj
Undergraduate Seminar on Sociology
ˆ¢•”@WŽm(ABE Koji) 2”N,3”N,4”N ‰‰K

13208
‘OŠú Œ»‘ãŽÐ‰ïŠw‰‰Ki‘OŠúj
Undergrduate Seminar on Modern Sociology
ˆ¢•” WŽm(ABE Koji) 2”N,3”N,4”N ‰‰K

13209
ŒãŠú Œ»‘ãŽÐ‰ïŠw‰‰KiŒãŠúj
Undergrduate Seminar on Modern Sociology
ˆ¢•” WŽm(ABE Koji) 2”N,3”N,4”N ‰‰K

13211
‘OŠú Š´îS—Šw‰‰Ki‘OŠúj
Undergraduate Seminar on Psychology of Emotion
²“¡ (SATOU Kaori) 2”N,3”N,4”N ‰‰K

13213
‘OŠú ”F’mS—Šw‰‰Ki‘OŠúj
Undergraduate Seminar in Cognitive Psychology
‘å™®”V(OSUGI Takayuki) 2”N,3”N,4”N ‰‰K

13214
ŒãŠú ”F’mS—Šw‰‰KiŒãŠúj
Undergraduate Seminar in Cognitive Psychology
‘å™@®”V(OSUGI Takayuki) 2”N,3”N,4”N ‰‰K

13217
‘OŠú S—ŠwŽÀŒ±
Laboratory in Psychology
‘å™ ®”V(OSUGI Takayuki) 2”N,3”N,4”N ŽÀŒ±

13219
ŒãŠú S—Šw“ÁŽêŽÀŒ±AiŒãŠúj
Seminar on Research in Psychology (A)
‘å™@®”V(OSUGI Takayuki) 3”N,4”N ‰‰K

13220
‘OŠú S—Šw“ÁŽêŽÀŒ±Bi‘OŠúj
Seminar on Research in Psychology
²“¡ (SATOU Kaori) 3”N,4”N ‰‰K

13222
ŒãŠú S—Šwî•ñˆ—ŽÀK
Practice in Information Processing for Psychology
‘å™@®”V(OSUGI Takayuki) 3”N,4”N ŽÀK

13223
‘OŠú î•ñˆ—‰‰K
Seminar in Information Processing
–{‘½ ŒO(HONDA Kaoru) 2”N,3”N,4”N ‰‰K

13224
ŒãŠú î•ñ‰ÈŠw‰‰K
Seminar in Information Science
–{‘½ ŒO(HONDA Kaoru) 2”N,3”N,4”N ‰‰K

13225
‘OŠú ƒvƒƒOƒ‰ƒ~ƒ“ƒO‰‰K
Seminar in Computer Programming
–{‘½@ŒO(HONDA Kaoru) 2”N,3”N,4”N ‰‰K

13226
ŒãŠú î•ñ‰ÈŠwŽÀK
Laboratory Workshop in Information Science
–{‘½ ŒO(HONDA Kaoru) 2”N,3”N,4”N ŽÀK

13227
‘OŠú Œ¾ŒêŠw‰‰Ki‘OŠúj
Seminar in Linguistics
Mark IRWIN 2”N,3”N,4”N ‰‰K

13228
ŒãŠú Œ¾ŒêŠw‰‰KiŒãŠúj
Undergraduate Seminar in Linguistics
ûü‹´^•F 2”N,3”N,4”N ‰‰K

13229
‘OŠú “ú–{ŒêŠw‰‰Ki‘OŠúj
Seminar in Japanese Linguistics
’†àV MK(NAKAZAWA Nobuyuki) 2”N,3”N,4”N ‰‰K

13230
ŒãŠú “ú–{ŒêŠw‰‰KiŒãŠúj
Seminar in Japanese Linguistics
“n•Ó •¶¶(WATANABE Fumio) 2”N,3”N,4”N ‰‰K

13231
‘OŠú ‰pŒêŠw‰‰Ki‘OŠúj
Seminar in English Linguistics
¬ò@—L‹IŽq (KOIZUMI Yukiko) 2”N,3”N,4”N ‰‰K

13232
ŒãŠú ‰pŒêŠw‰‰KiŒãŠúj
Undergraduate Seminar in English Linguistics
•y“c@‚©‚¨‚é(TOMITA Kaoru) 2”N,3”N,4”N ‰‰K

13233
‘OŠú “ú–{ŒêŠwu“Çi‘OŠúj
Directed Reading in Japanese Linguistics
“n•Ó •¶¶(WATANABE Fumio) 2”N,3”N,4”N ‰‰K

13234
ŒãŠú “ú–{ŒêŠwu“ÇiŒãŠúj
Directed Reading in Japanese Linguistics
’†àV MK(NAKAZAWA Nobuyuki) 2”N,3”N,4”N ‰‰K

13236
‘OŠú •¶‰»l—ÞŠw‰‰Kiˆêj
Seminar in Cultural Anthropology‡T
âˆä ³liSAKAI Masatoj 2”N,3”N,4”N ‰‰K

13237
ŒãŠú •¶‰»l—ÞŠw‰‰Ki“ñj
Seminar in Cultural Anthropology‡U
âˆä@³l(SAKAI Masato) 2”N,3”N,4”N ‰‰K

13238
‘OŠú •¶‰»l—ÞŠw‰‰KiŽOj
Seminar in Cultural Anthropology‡V
ŽR–{–r(YAMAMOTO Atsushi),¼–{ —Yˆê(MATSUMOTO Yuichi) 2”N,3”N,4”N ‰‰K

13239
ŒãŠú •¶‰»l—ÞŠw‰‰KiŽlj
Seminar in Cultural Anthropology‡W
ŽR–{–r(YAMAMOTO Atsushi),¼–{ —Yˆê(MATSUMOTOI Yuichi) 2”N,3”N,4”N ‰‰K

13240
‘OŠú •¶‰»l—ÞŠwŽÀK
Fieldwork
âˆä³l(SAKAI Masato),ŽR–{–r(YAMAMOTO Atsushi) 2”N,3”N,4”N ‰‰K

13241
‘OŠú “ú–{Žj‰‰Kiˆêji‘OŠúj
Seminar in Japanese History (I)
‹gˆä •¶”ü(YOSHII Fumi) 2”N,3”N,4”N ‰‰K

13242
ŒãŠú “ú–{Žj‰‰KiˆêjiŒãŠúj
Seminar in Japanese History(1)
‹gˆä •¶”ü(YOSHII Fumi) 2”N,3”N,4”N ‰‰K

13243
‘OŠú “ú–{Žj‰‰Ki“ñji‘OŠúj
Seminar in Japanese HIstory(‡U)
¼”ö „ŽŸ(MATSUO Kenji) 2”N,3”N,4”N ‰‰K

13244
ŒãŠú “ú–{Žj‰‰Ki“ñjiŒãŠúj
Seminar in Japanese Historyi‡Uj
¼”ö „ŽŸ(MATSUO Kenji) 2”N,3”N,4”N ‰‰K

13245
‘OŠú ƒAƒWƒAŽj‰‰Kiˆêji‘OŠúj
Seminar in Asian History (I)
V‹{ Šw(ARAMIYA Manabu) 2”N,3”N,4”N ‰‰K

13246
ŒãŠú ƒAƒWƒAŽj‰‰KiˆêjiŒãŠúj
Seminar in Asian History (I)
V‹{ Šw(ARAMIYA Manabu) 2”N,3”N,4”N ‰‰K

13247
‘OŠú ƒAƒWƒAŽj‰‰Ki“ñji‘OŠúj
Seminar in Asian History (II)
’†‘º “ÄŽu(NAKAMURA Atsushi) 2”N,3”N,4”N ‰‰K

13248
ŒãŠú ƒAƒWƒAŽj‰‰Ki“ñjiŒãŠúj
Seminar in Asian History (II)
’†‘º “ÄŽu(NAKAMURA Atsushi) 2”N,3”N,4”N ‰‰K

13251
‘OŠú ƒˆ[ƒƒbƒpŽj‰‰Ki“ñji‘OŠúj
Seminar in European History (II)
ŽRè ²(YAMAZAKI Akira) 2”N,3”N,4”N ‰‰K

13252
ŒãŠú ƒˆ[ƒƒbƒpŽj‰‰Ki“ñjiŒãŠúj
Seminar in European History (II)
ŽRè ²(YAMAZAKI Akira) 2”N,3”N,4”N ‰‰K

13253
‘OŠú “ú–{ŽjŽj—¿u“Çiˆêj
Directed Reading in Japanese History (I)
‹gˆä •¶”ü(YOSHII Fumi) 2”N,3”N,4”N ‰‰K

13254
ŒãŠú “ú–{ŽjŽj—¿u“Çi“ñj
Directed Reading in Japanese History (‡U)
¼”ö „ŽŸ(MATSUO Kenji) 2”N,3”N,4”N ‰‰K

13255
‘OŠú ƒAƒWƒAŽjŽj—¿u“Çiˆêj
Directed Reading in Asian History (I)
V‹{ Šw(ARAMIYA Manabu) 2”N,3”N,4”N ‰‰K

13256
ŒãŠú ƒAƒWƒAŽjŽj—¿u“Çi“ñj
Directed Reading in Asian History (II)
’†‘º “ÄŽu(NAKAMURA Atsushi) 2”N,3”N,4”N ‰‰K

13257
‘OŠú ƒˆ[ƒƒbƒpŽj‰p‘u“Çiˆêj
Directed Reading in European History (1)
ŽRè² (YAMAZAKI Akira) 2”N,3”N,4”N ‰‰K

13258
ŒãŠú ƒˆ[ƒƒbƒpŽj‰p‘u“Çi“ñj
Directed Reading in European History (II)
ŽRú±@²(YAMAZAKI Akira) 2”N,3”N,4”N ‰‰K

13259
‘OŠú “ú–{ŽjŽÀK
Fieldwork in Japanese History
¼”ö „ŽŸ(MATSUO Kenji) 2”N,3”N,4”N ‰‰K

13260
ŒãŠú •¶‰»à’²¸ŽÀK
Fieldwork in Cultural Properties
\ì —zˆê(SOGAWA Yoichi), ¼”ö „ŽŸ(MATSUO Kenji) 2”N,3”N,4”N ‰‰K

13261
‘OŠú ‹ßŒ»‘ã“ŒƒAƒWƒA’nˆæ˜_iˆêj
Area Study of Modern East Asia (‡T)
’†‘º “ÄŽu(NAKAMURA Atsushi)C’†àV MK(NAKAZAWA Nobuyuki) 2”N,3”N,4”N ‰‰K

13262
ŒãŠú ‹ßŒ»‘ã“ŒƒAƒWƒA’nˆæ˜_i“ñj
Modern and Contemporary Asian Studies
¡‘º^‰›(IMAMURA Masao) 2”N,3”N,4”N ‰‰K

13263
ŒãŠú ‹L†˜_‰‰K
Seminar in Semiotics
´’Ë –M•F(KIYOZUKA Kunihiko) 2”N,3”N,4”N ‰‰K

13264
‘OŠú ‰ž—p—Ï—Šw‰‰K
Seminar on Applied Ethics
´’Ë@–M•F(KIYOZUKA Kunihiko) 2”N,3”N,4”N ‰‰K

13266
‘OŠú “NŠw‰‰Ki“ñji‘OŠúj
Seminar in Western Philosophy (II)
¬ŒF ³‹v(OGUMA Masahisa) 2”N,3”N,4”N ‰‰K

13267
ŒãŠú “NŠw‰‰Ki“ñjiŒãŠúj
Seminar in Western Philosophy (II)
¬ŒF ³‹v(OGUMA Masahisa) 2”N,3”N,4”N ‰‰K

13268
‘OŠú ¼—m“NŠwu“Çi‘OŠúj
Directed Reading in Western Philosophy
¬ŒF ³‹v(OGUMA Masahisa) 2”N,3”N,4”N ‰‰K

13269
ŒãŠú ¼—m“NŠwu“ÇiŒãŠúj
Directed Reading in Western Philosophy
¬ŒF ³‹v(OGUMA Masahisa) 2”N,3”N,4”N ‰‰K

13270
‘OŠú “ú–{•¶‰»‰‰K
Seminar in Japanese Culture
‹{˜ ’¼l(MIYAKOSHI Naoto) 2”N,3”N,4”N ‰‰K

13271
‘OŠú “ú–{•¶Šw‰‰K
Seminar in Japanese Literature
X‰ª ‘ìŽi(MORIOKA Takashi) 2”N,3”N,4”N ‰‰K

13272
ŒãŠú “ú–{•¶‰»u“Ç
Directed Reading in Japanese Culture
X‰ª ‘ìŽi(MORIOKA Takashi) 2”N,3”N,4”N ‰‰K

13273
ŒãŠú “ú–{•¶Šwu“Ç
Directed Reading in Japanese Literture
‹{˜ ’¼l(MIYAKOSHI Naoto) 2”N,3”N,4”N ‰‰K

13274
ŒãŠú ‰p•¶Šw‰‰K
Seminar in English Literature
’†‘º@—²(NAKAMURA Takasi) 2”N,3”N,4”N ‰‰K

13275
‘OŠú ƒAƒƒŠƒJŒ¤‹†‰‰K
Seminar in American Studies
‰F’à ‚Ü‚èŽq(UTSU Mariko) 2”N,3”N,4”N ‰‰K

13276
ŒãŠú ‰p•Ä•¶Šwu“Ç
Readings in English and American Literature
²“¡@´liKiyoto SATOj 2”N,3”N,4”N ‰‰K

13277
‘OŠú Œ|p•¶‰»‰‰Kiˆêj
Seminar in Art Culture (I)
ÎàV –õ“T(ISHIZAWA Yasunori) 2”N,3”N,4”N ‰‰K

13278
ŒãŠú Œ|p•¶‰»‰‰Ki“ñj
Seminar in Art Culture (II)
ÎàV –õ“T(ISHIZAWA Yasunori) 2”N,3”N,4”N ‰‰K

13279
‘OŠú ”üpŽj‰‰K
Seminar in Art History
ÎàV –õ“T(ISHIZAWA Yasunori) 2”N,3”N,4”N ‰‰K

13280
ŒãŠú ”üŠwEŒ|pŠw‰‰K
Seminar in Aestitics
Œ³–Ø Kˆê(MOTOKI Koichi) 2”N,3”N,4”N ‰‰K

13281
ŒãŠú Œ|p•¶‰»ŽÀK
Fieldwork in Art History and Art Culture
ÎàV –õ“T(ISHIZAWA Yasunori), ²“¡ ‹Õ(SATO Koto) 2”N,3”N,4”N ‰‰K

13282
‘OŠú •\Û•¶‰»‰‰Ki‘OŠúj
Undergraduate Seminar in Representational Culture
Š`•À —Ç—C(KAKINAMI Ryosuke),‡“c —z—S(GODA Yosuke) 2”N,3”N,4”N ‰‰K

13283
ŒãŠú •\Û•¶‰»‰‰KiŒãŠúj
Undergraduate Seminar in Representational Culture
‘å‹v•Û ´˜N(OOKUBO Kiyoaki),Û’Ã —²M(SETTSU Takanobu) 2”N,3”N,4”N ‰‰K

13284
ŒãŠú ‰f‘œŠw‰‰K
Seminar in Studies of Images
‘å‹v•Û ´˜N(OOKUBO Kiyoaki) 2”N,3”N,4”N ‰‰K

13285
ŒãŠú ƒAƒWƒA•¶‰»‰‰K
Asian Studies Seminar
‹–@Žž‰Ã(HSU Shih-chia) 2”N,3”N,4”N ‰‰K

13287
‘OŠú ‘Û•¶‰»Šw‰‰Ki‘OŠúj
Seminar in International Culture
‡“c@—z—SiGODA Yosukej 2”N, 3”N, 4”N ‰‰K

13288
ŒãŠú ‘Û•¶‰»Šw‰‰KiŒãŠúj
Seminar in International Culture
‰F’à ‚Ü‚èŽq(UTSU Mariko) 2”N,3”N,4”N ‰‰K

13289
‘OŠú ’†‘•¶Šw•¶‰»‰‰K
Undergraduate Seminar in Chinese Literature and Culture
•ŸŽR ‘×’j(FUKUYAMA Yasuo) 2”N,3”N,4”N ‰‰K

13290
ŒãŠú ’†‘•¶Šw•¶‰»u“Ç
Directed Reading in Chinese Literature & Culture
¼ã Ÿ(NISHIGAMI Masaru) 2”N,3”N,4”N ‰‰K

13291
‘OŠú ’†‘Œê‰ï˜bi‘OŠúj
Conversational Chinese
—« ŠÜ”­(LIU Hanfa) 2”N,3”N,4”N ‰‰K

13292
ŒãŠú ’†‘Œê‰ï˜biŒãŠúj
Conversational Chinese
—« ŠÜ”­(LIU Hanfa) 2”N,3”N,4”N ‰‰K

13293
‘OŠú ’†‘Œê앶i‘OŠúj
Writing Skills in Chinese
—« ŠÜ”­ (LIU Hanfa) 2”N,3”N,4”N ‰‰K

13294
ŒãŠú ’†‘Œê앶iŒãŠúj
Writing Skills in Chinese
—« ŠÜ”­(LIU Hanfa) 2”N,3”N,4”N ‰‰K

13295
‘OŠú ŽžŽ–’†‘Œêi‘OŠúj
Current Chinese Usage
—«@ŠÜ”­iLIU Hanfa) 2”N,3”N,4”N ‰‰K

13296
ŒãŠú ŽžŽ–’†‘ŒêiŒãŠúj
Current Chinese Usage
•ŸŽR@‘×’j(FUKUYAMA Yasuo) 2”N,3”N,4”N ‰‰K

13297
‘OŠú —¯Šw¶Šˆ‰pŒêi‘OŠúj
Study Abroad Communication Skills I
Gloag,David Douglas 2”N,3”N,4”N ‰‰K

13298
ŒãŠú —¯Šw¶Šˆ‰pŒêiŒãŠúj
Study Abroad Communication Skills II
Gloag,David Douglas 2”N,3”N,4”N ‰‰K

13299
‘OŠú e-learningi‘OŠúj
e-learning
’†‘º —²(NAKAMURA Takashi) 2”N,3”N,4”N ‰‰K

13300
ŒãŠú e-learningiŒãŠúj
e-learning (2nd semester)
—é–Ø ‹œ(SUZUKI Toru) 2”N,3”N,4”N ‰‰K

13301
‘OŠú ‰¢•Ä•¶‰»‰‰Ki‘OŠúj
Seminar in European and North American Culture
²“¡@´l(SATO Kiyoto) 2”N,3”N,4”N ‰‰K

13304
‘OŠú ƒhƒCƒcŒêu“Çi‘OŠúj
Directed Reading in German
“n•Ó «®(WATANABE Masanao) 2”N,3”N,4”N ‰‰K

13305
ŒãŠú ƒhƒCƒcŒêu“ÇiŒãŠúj
Directed Reading in German
ےײM(SETTSU Takanobu) 2”N,3”N,4”N ‰‰K

13306
‘OŠú ƒtƒ‰ƒ“ƒXŒêu“Çi‘OŠúj
Directed Reading in French Culture, Lecture des textes varies
Š`•À —Ç—C(KAKINAMI Ryosuke) 2”N, 3”N, 4”N ‰‰K

13307
ŒãŠú ƒtƒ‰ƒ“ƒXŒêu“ÇiŒãŠúj
Directed Reading in French Culture. Lecture francaise
‡“c —z—SiYosuke GODAj 2”N, 3”N, 4”N ‰‰K

13308
‘OŠú ƒƒVƒAŒêu“Çi‘OŠúj
Directed Reading in Russian
“V–ì ®Ž÷(AMANO Naoki) 2”N,3”N,4”N ‰‰K

13309
ŒãŠú ƒƒVƒAŒêu“ÇiŒãŠúj
Directed Reading in Russian
‘Š‘ò ’¼Ž÷(AIZAWA Naoki) 2”N,3”N,4”N ‰‰K

13310
ŒãŠú ŽžŽ–ƒhƒCƒcŒê
Current German Usage
“n•Ó «®(WATANABE Masanao) 2”N,3”N,4”N ‰‰K

13311
‘OŠú ŽžŽ–ƒtƒ‰ƒ“ƒXŒê
Current French, Francais d'actualite
‡“c —z—SiGODA Yosukej 2”N, 3”N, 4”N ‰‰K

13312
ŒãŠú ŽžŽ–ƒƒVƒAŒê
Current Russian Usage
“V–ì ®Ž÷iAMANO Naoki) 2”N,3”N,4”N ‰‰K

13313
‘OŠú ƒhƒCƒcŒêŠw‰‰K
Seminar in German Linguistics
ےײM(SETTSU Takanobu) 2”N,3”N,4”N ‰‰K

13314
ŒãŠú ƒtƒ‰ƒ“ƒXŒêŠw‰‰K
Seminar in French Linguistics. Travaux pratiques de la langue francaise
‘å‹v•Û ´˜N(OOKUBO Kiyoaki) 2”N,3”N,4”N ‰‰K

13315
‘OŠú ƒƒVƒAŒêŠw‰‰K
Seminar in Russian Linguistics
‘Š‘ò ’¼Ž÷(AIZAWA Naoki) 2”N,3”N,4”N ‰‰K

13316
‘OŠú ƒhƒCƒcŒê‰ï˜bE앶i‘OŠúj
Advanced German Conversation and Composition
”Ñ“‡@KŽqiIIJIMA Sachikoj 2”N,3”N,4”N ‰‰K

13317
ŒãŠú ƒhƒCƒcŒê‰ï˜bE앶iŒãŠúj
Advanced German Conversation and Composition
”Ñ“‡@KŽqiIIJIMA Sachikoj 2”N,3”N,4”N ‰‰K

13318
‘OŠú ƒtƒ‰ƒ“ƒXŒê‰ï˜bE앶i‘OŠúj
French Communication and Writing
Šw•”‹³ˆçˆÏˆõ‰ïi“Á•Êµ‘ÒuŽtƒT[ƒh ƒCƒUƒxƒ‹(SARDE Isabelle)j 2”N,3”N,4”N ‰‰K

13319
ŒãŠú ƒtƒ‰ƒ“ƒXŒê‰ï˜bE앶iŒãŠúj
French Communication and Writing
Šw•”‹³ˆçˆÏˆõ‰ïi“Á•Êµ‘ÒuŽtƒT[ƒh ƒCƒUƒxƒ‹(SARDE Isabelle)j 2”N,3”N,4”N ‰‰K

13320
‘OŠú ƒƒVƒAŒê‰ï˜bE앶i‘OŠúj
Conversation and Writing in Russian
ƒNƒYƒlƒcƒH[ƒ@ƒ}ƒŠ[ƒi(KUZNETSOVA Marina) 2”N,3”N,4”N ‰‰K

13321
ŒãŠú ƒƒVƒAŒê‰ï˜bE앶iŒãŠúj
Conversation and writing in Russian
‹{Œ´ ƒ‰[ƒ_(MIYAHARA Lada) 2”N,3”N,4”N ‰‰K

13322
‘OŠú ”äŠr•¶‰»‰‰K
Seminar in Comparative Culture
‘Š‘ò@’¼Ž÷(AIZAWA Naoki) 2”N,3”N,4”N ‰‰K

13323
ŒãŠú •¶‰»Œð—¬Žj‰‰K
Seminar in World Cultural History
ˆÉ“¡ –L(ITO Yutaka) 2”N,3”N,4”N ‰‰K

13324
‘OŠú “ú–{Žj‰‰KiŽOji‘OŠúj
Seminar in Japanese History
\ì —zˆê(SOGAWA Yoichi) 2”N,3”N,4”N ‰‰K

13325
ŒãŠú “ú–{Žj‰‰KiŽOjiŒãŠúj
Seminar in Japanese History
\ì —zˆê(SOGAWA Yoichi) 2”N,3”N,4”N ‰‰K

13326
ŒãŠú “ú–{ŽjŽj—¿u“ÇiŽOj
Directed Reading in Japanese History
\ì —zˆê(SOGAWA Yoichi) 2”N,3”N,4”N ‰‰K