ŽžŠÔŠ„ ƒR[ƒh | ŠwŠú | ‰È–Ú–¼ | ’S“–‹³ˆõ–¼ | Šw”N | Œ`‘Ô |
---|---|---|---|---|---|
21400 |
‘OŠú | ’nˆæŒ|p•¶‰»ŽÀ‘H˜_ Theory of Arts and Cultural Activities in the Region |
“¡–ì@—Sˆê(HUZINO Yuuiti),¬—Ñ@r‰î(KOBAYASI Syunsuke),“n•Ó@Cg(WATANABE Osami),”ª–Ø@•¶Žq(HUMIKO Yagi),“yˆä@Œh^(DOI Hiromasa),–¼‘q@–¾Žq(NAGURA Akiko),âV“¡@Šw(SAITO Manabu) | 1”N | u‹` |
21401 |
‘OŠú | SgŒ’NŽx‰‡ŽÀ‘H˜_ Physical and mental health assistance practice theory |
“í–{@Œ’“ñ(KUSUMOTO Kenji),²“¡@G•½(SATO Kohei),ˆäã@Œ÷ˆê˜Y(INOUE Koichiro)’|“c—²ˆê(TAKEDA Ryuichi),²X–Ø‹†(SASAKI Kyu)C’r“c‰pŽ¡(IKEDA Eiji)C“¡‰ª‹v”üŽq(FUJIOKA Kumiko),‹{èº(MIYAZAKI Akira),ŠÖŒû—Yˆê(SEKIGUCHI Yuichi),¼èŠw(MATSUZAKI Manabu) | 1”N | u‹` |
21402 |
‘OŠú | ¶Šˆ•¶‰»˜_ Cultural Historial Studies |
Ί_@˜aŒb(ISHIGAKI Kazue) | 1”N | u‹` |
21403 |
ŒãŠú | H•¶‰»˜_ Food Culture |
‘åX@Œj(OMORI Katsura) | 1”N | u‹` |
21404 |
ŒãŠú | ƒ‰ƒCƒtƒXƒe[ƒW‚ƃXƒ|[ƒc Lifestage and Sports |
—é–Ø@˜aO(SUZUKI Kazuhiro),“nç³@MW(WATANABE Nobuaki),’r“c@‰pŽ¡(IKEDA Eiji) | 1”N | u‹` |
21405 |
‘OŠú | S—ŠwŠT˜_ Introduction to Psychology |
²“¡@G•½(SATO Kohei) | 1”N | u‹` |
21406 |
‘OŠú | ¶ŠUƒXƒ|[ƒcŠw theory of lifelong sport |
ù£@‰ëŽj(SASASE Masasi) | 1”N | u‹` |
21407 |
‘OŠú | ƒ\ƒ‹ƒtƒF[ƒWƒ…Šî‘b Solfege Basics |
–¼‘q@–¾Žq(NAGURA Akiko) | 1”N | u‹` |
21408 |
‘OŠú | •½–Ê‘¢Œ`Šî‘b Basics of Painting |
¬—Ñ@r‰î(KOBAYASI Syunsuke) | 1”N | ‰‰K |
21409 |
ŒãŠú | ‘¢Œ`•¶‰»˜_ Art and Culture |
¬—Ñ@r‰î(KOBAYASI Syunsuke) | 1”N | u‹` |
21410 |
ŒãŠú | ‰¹Šy•¶‰»˜_ Theory of Musical Culture |
“¡–ì@—Sˆê(HUZINO Yuuiti),“n•Ó@Cg(WATANABE Osami),–¼‘q@–¾Žq(NAGURA Akiko) | 1”N | u‹` |
21411 |
ŒãŠú | ƒXƒ|[ƒc‰ÈŠwŠî‘b˜_ Introduction to sports sciences |
ˆäã@Œ÷ˆê˜Y(INOUE Koichiro),ù£@‰ëŽj(SASASE Masasi),’|“c@—²ˆê(TAKEDA Ryuichi),²X–Ø@‹†(SASAKI Kyuu),“nç³@MW(WATANABE Nobuaki),’r“c@‰pŽ¡(IKEDA Eiji) | 1”N | u‹` |
21412 |
ŒãŠú | H‚ÆŒ’N Diet and Health Sciences |
“í–{@Œ’“ñ(KUSUMOTO Kenji) | 1”N | u‹` |
21413 |
ŒãŠú | ‰¹Šy—˜_Šî‘b Music Theory Basics |
–¼‘q@–¾Žq(NAGURA Akiko) | 1”N | u‹` |
21414 |
ŒãŠú | ŠÇŒ·‘ÅŠyŠí‘t–@Šî‘bi–ØŠÇŠyŠíj Basic Method of Playing Orchestral Instruments (Wood wind Instruments) |
‘«’B@ËŽ¡iShozi AdachijAâV“¡@^”üiManami Saitoj ‹½’Ã@—²KiTakayuki GozujAã–ì@Œ’iKen Uenoj | 1”N | ‰‰K |
21418 |
ŒãŠú | ŠÇŒ·‘ÅŠyŠí‘t–@Šî‘bi‹àŠÇE‘ÅŠyŠíj Basic Method of Playing Orchestral Instruments (Brass • Percussion Instruments) |
ˆäã’¼Ž÷iINOUE Naoki) ŠÖ’J’q—m(SEKIYA Tomohiro) ûü‹´’qOiTAKAHASHI Tomohiro) ‹gŒ´‚·‚Ý‚ê(YOSHIHARA Sumire) | 1”N | ‰‰K |
21422 |
ŒãŠú | ŠÇŒ·‘ÅŠyŠí‘t–@Šî‘biŒ·ŠyŠíj Basic Method of Orchestral Instruments (Stringed Instruments) |
Œ¢•š@ˆŸ—¢iAri Inubushij¬“c@Š°iHiroshi Naritaj ‹v—ǖ؉ĊCiNatsumi Kurakij–öàV@’q”ViTomoyuki Yanagisawaj | 1”N | ‰‰K |
21426 |
ŒãŠú | Œ®”ÕŠyŠí‘t–@Šî‘b Keyboard Instrument Performance Basis |
–¢’è | 1”N | ‰‰K |
21427 |
ŒãŠú | ºŠyŠî‘b Vocal Music Basics |
“¡–ì@—Sˆê(HUZINO Yuuiti) | 1”N | ‰‰K |
21428 |
ŒãŠú | —§‘Ì‘¢Œ`Šî‘b Elements Art & Design in the Three-Dimensional Expression |
âV“¡@Šw(SAITO Manabu),“yˆä@Œh^(DOI Hiromasa) | 1”N | ‰‰K |
21429 |
ŒãŠú | S—Šw“Œv–@ Statistical Methods of Psychology |
oŒû@‹B(DEGUCHI Takeshi) | 1”N | u‹` |
21430 |
‘OŠú | ‘̈çƒXƒ|[ƒcŽÀ‹Zi…‰jEƒAƒNƒAƒXƒ|[ƒcj Sports Skills(SwimmingEAquasportsj |
Έä@—T–¾(ISHII Hiroaki) | 1”N | ŽÀ‹Z |