ŽžŠÔŠ„ ƒR[ƒh | ŠwŠú | ‰È–Ú–¼ | ’S“–‹³ˆõ–¼ | Šw”N | Œ`‘Ô | ŽÀŽ{•û–@i—\’è‚ðŠÜ‚Þj i4ŒŽ1“úŽž“_j |
---|---|---|---|---|---|---|
23002 |
ŒãŠú | ’nˆæ–hИ_ Regional Disaster Prevention |
ŒF’J@½(KUMAGAI Makoto) | 2”N,3”N,4”N | u‹` | |
23004 |
ŒãŠú | H•¶‰»˜_ Food Culture |
‘åX@Œj(OMORI Katsura) | 1”N,2”N,3”N,4”N | u‹` | |
23005 |
ŒãŠú | ƒ‰ƒCƒtƒXƒe[ƒW‚ƃXƒ|[ƒc Lifestage and Sport |
ŽOŽ}@I(MIEDA Takumi),´…@(SHIMIZU Kaori) | 1”N,2”N,3”N,4”N | u‹` | |
23006 |
‘OŠú | ƒ‰ƒCƒtƒXƒe[ƒW‚ÆH Life stage and Diet |
“í–{@Œ’“ñ(KUSUMOTO Kenji) | 2”N,3”N,4”N | u‹` | |
23007 |
‘OŠú | ƒfƒUƒCƒ“‚Æ•¶‰» Introduction to Design and Culture |
¬—Ñ@r‰î(KOBAYASI Syunsuke),¼–ì@‹BŽj(NISHINO Takeshi) | 2”N,3”N,4”N | u‹` | |
23009 |
’Ê”N | Œ|pƒAƒEƒgƒŠ[ƒ`Šî‘b Musical Art Outreach Basics |
–¼‘q@–¾Žq(NAGURA Akiko),[£@—õ(FUKASE Ren),“n•Ó@Cg(WATANABE Osami) | 2”N,3”N,4”N | u‹` | |
23010 |
‘OŠú | S—ŠwŠT˜_ Introduction to Psychology |
“¡‰ª@‹v”üŽq(FUJIOKA Kumiko),²“¡@G•½(SATO Kohei) | 1”N,2”N,3”N,4”N | u‹` | |
23011 |
‘OŠú | ’nˆæ•¶‰»ŽÀ‘H˜_ Theory of Cultural Activities in the Region |
“yˆä@Œh^(DOI Hiromasa),¬Žðˆä@‹M°(KOZAKAI Takaharu),‘êàV@‹§(TAKIZAWA, Tadashi) | 2”N,3”N,4”N | u‹` | |
23012 |
ŒãŠú | ƒ\ƒ‹ƒtƒF[ƒWƒ…Šî‘b Solfege Basics |
–¼‘q@–¾Žq(NAGURA Akiko) | 1”N,2”N,3”N,4”N | u‹` | |
23013 |
‘OŠú | •½–Ê‘¢Œ`Šî‘b Basics of Plastic Art (Painting) |
¬—Ñ@r‰î(KOBAYASI Syunsuke) | 1”N,2”N,3”N,4”N | ‰‰K | |
23014 |
‘OŠú | ƒ‰ƒCƒtƒXƒe[ƒW‚ÆS—Žx‰‡ Life stage and Psychological Support |
–{“‡@—DŽq(MOTOSHIMA Yuko) ‰Í‡@‹P‹viKAWAI Teruhisaj | 2”N,3”N,4”N | u‹` | |
23015 |
ŒãŠú | ‰¹Šy•¶‰»˜_ Theory of Musical Culture |
–¼‘q@–¾Žq(NAGURA Akiko),²ì@Š](SAGAWA Kaoru),[£@—õ(FUKASE Ren),“n•Ó@Cg(WATANABE Osami) | 1”N,2”N,3”N,4”N | u‹` | |
23016 |
ŒãŠú | ƒXƒ|[ƒc‰ÈŠwŠî‘b˜_ Introduction to Sports Sciences |
ˆäã@Œ÷ˆê˜Y(INOUE Koichiro),’£@ˆçãY(Chang Yuchi),´…@(SHIMIZU Kaori),ù£@‰ëŽj(SASASE Masasi),–îŒû@—F—(YAGUCHI Yuri),“nç³@MW(WATANABE Nobuaki),ŽOŽ}@I(MIEDA Takumi) | 1”N,2”N,3”N,4”N | u‹` | |
23017 |
ŒãŠú | H‚ÆŒ’N Diet and Health Sciences |
“í–{@Œ’“ñ(KUSUMOTO Kenji) | 1”N,2”N,3”N,4”N | u‹` | |
23018 |
‘OŠú | ‰¹Šy—˜_Šî‘b Music Theory Basics |
–¼‘q@–¾Žq(NAGURA Akiko) | 1”N,2”N,3”N,4”N | u‹` | |
23019 |
ŒãŠú | ŠÇŒ·‘ÅŠyŠí‘t–@Šî‘b Orchestral Instruments (Basic) |
Œ¢•š@ˆŸ—¢(INUBUSHI Ari)A¬“c@аiNARITA Hiroshi)A“nç²@Œ¤‘½˜YiWATANABE Kentaro)A–öàV@’q”ViYANAGISAWA Tomoyuki)A¬¼ú±@‹±Žq(KOMATSUZAKI Kyoko)AŽÄ“c@—S‘¾iSIBATA Yuta)A ìã@ˆê“¹iKAWAKAMI Ichido)Aã–ì@Œ’iUENO Ken)Aˆäã@’¼Ž÷iINOUE Naoki)AŠÖ’J@’q—miSEKIYA Tomohiro)Aûü‹´@’qLiTAKAHASHI Tomohiro)A•½‰º@˜a¶iHIRASHITA Kazuoj–F‰ê@‘å•ôiHAGA Hirotaka ) | 1”N,2”N,3”N,4”N | ‰‰K | |
23031 |
ŒãŠú | Œ®”ÕŠyŠí‘t–@Šî‘b Piano Study (Basic) |
ŽO—Ö@ˆè(Miwa,Iku) | 1”N,2”N,3”N,4”N | ‰‰K | |
23033 |
ŒãŠú | ºŠyŠî‘b Basic Vocal Music |
[£@—õ(FUKASE Ren) | 1”N,2”N,3”N,4”N | ‰‰K | |
23034 |
ŒãŠú | —§‘Ì‘¢Œ`Šî‘b Elements of Art & Three-Dimensional Modeling |
“yˆä@Œh^(DOI Hiromasa),‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke) | 1”N,2”N,3”N,4”N | ‰‰K | |
23035 |
ŒãŠú | S—Šw“Œv–@ Statistical Methods of Psychology |
‰Y–ì@—R•½(URANO Yuhei) | 1”N,2”N,3”N,4”N | u‹` | |
23036 |
‘OŠú | ŠwKS—Šw[•¶‰»‘n¶ƒR[ƒX] Learning Psychology |
œA“c@Mˆê(HIROTA Shinichi) | 2”N,3”N,4”N | u‹` | |
23037 |
‘OŠú | ì‹È–@Šî‘b Basic Composition |
–¼‘q@–¾Žq(NAGURA Akiko) | 2”N,3”N,4”N | u‹` | |
23038 |
‘OŠú | ŠG‰æŠî‘b Introduction to Painting |
¬—Ñ@r‰î(KOBAYASI Syunsuke) | 2”N,3”N,4”N | ‰‰K | |
23039 |
‘OŠú | ’¤Šî‘b Elements of Sculpture |
“yˆä@Œh^(DOI Hiromasa) | 2”N,3”N,4”N | ‰‰K | |
23040 |
‘OŠú | ƒfƒUƒCƒ“Šî‘b Basic Design |
‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke) | 2”N,3”N,4”N | ‰‰K | |
23041 |
‘OŠú | HŒ|Šî‘b Elements of Craft Production |
‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke) | 2”N,3”N,4”N | ‰‰K | |
23042 |
‘OŠú | ƒXƒ|[ƒcŽÐ‰ïŠw Sport Sociology |
ù£@‰ëŽj(SASASE Masasi) | 2”N,3”N,4”N | u‹` | |
23043 |
‘OŠú | ƒXƒ|[ƒc¶—Šw Sports Physiology |
´…@(SHIMIZU Kaori) | 2”N,3”N,4”N | u‹` | |
23044 |
‘OŠú | ƒXƒ|[ƒcŒ´— Physical education principle |
¬ì@G(OGAWA Hiroshi) | 2”N,3”N,4”N | u‹` | ‡@ |
23045 |
‘OŠú | ‰h—{ŠwŠT˜_ Basic Nutrition |
¬Žðˆä@‹M°(KOZAKAI Takaharu) | 2”N,3”N,4”N | u‹` | |
23048 |
‘OŠú | H•i‚Ɖh—{ Foods and Nutrition |
ŽOŒ´@–@Žq(MIHARA Noriko),–îŒû—F—(YAGUCHI yuri), ¬Žðˆä‹M°(KOZAKAI Takaharu) | 2”N,3”N,4”N | u‹` | |
23049 |
‘OŠú | ŽÐ‰ï‹³ˆç˜_[•¶‰»‘n¶ƒR[ƒX] Social Education |
ˆÀ“¡@kŒÈ(ANDO Kouki) | 2”N,3”N,4”N | u‹` | |
23050 |
‘OŠú | ¶ŠUŠwKŽx‰‡˜_‚`[•¶‰»‘n¶ƒR[ƒX] Suppot of Lifelong Learning A |
ˆÀ“¡@kŒÈ(ANDO Kouki) | 2”N,3”N,4”N | u‹` | |
23052 |
ŒãŠú | ¶ŠUŠwKŽx‰‡˜_‚a[•¶‰»‘n¶ƒR[ƒX] Support of LIfelong Learning B |
ˆÀ“¡@kŒÈ(ANDO Kouki) | 2”N,3”N,4”N | u‹` | |
23053 |
ŒãŠú | —Õ°S—ŠwŠT˜_ Introduction to Clinical Psychology |
²“¡@G•½(SATO Kohei),“¡‰ª@‹v”üŽq(FUJIOKA Kumiko) | 2”N,3”N,4”N | u‹` | |
23054 |
ŒãŠú | “ú–{”üpŽjŠTà Japanese Art History |
²“¡@‹Õ(SATO Koto) | 2”N,3”N,4”N | u‹` | |
23055 |
ŒãŠú | ‡¥Šî‘b‰‰K Chorus (Basic) |
[£@—õ(FUKASE Ren),“n•Ó@Cg(WATANABE Osami) | 2”N,3”N,4”N | ‰‰K | |
23056 |
ŒãŠú | ‡‘tŠî‘b‰‰K OrchestraiBasic) |
“n•Ó@Cg(WATANABE Osami) | 2”N,3”N,4”N | ‰‰K | |
23057 |
ŒãŠú | ŠG‰æ•\Œ»‰‰K Seminar on Practice of Painting |
¬—Ñ@r‰î(KOBAYASI Syunsuke) | 2”N,3”N,4”N | ‰‰K | |
23058 |
ŒãŠú | ’¤•\Œ»‰‰K Seminar on Sculpture Expressions |
“yˆä@Œh^(DOI Hiromasa) | 2”N,3”N,4”N | ‰‰K | |
23059 |
ŒãŠú | ƒfƒUƒCƒ“•\Œ»‰‰K Seminar in Design Work |
‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke) | 2”N,3”N,4”N | ‰‰K | |
23060 |
ŒãŠú | ƒXƒ|[ƒcS—Šw Sport Psychology |
ŽOŽ}@I(MIEDA Takumi) | 2”N,3”N,4”N | u‹` | |
23061 |
ŒãŠú | ƒXƒ|[ƒcƒoƒCƒIƒƒJƒjƒNƒX Sports Biomechanics |
ˆäã@Œ÷ˆê˜Y(INOUE Koichiro) | 2”N,3”N,4”N | u‹` | |
23064 |
‘OŠú | “ú–{‰¹Šy‰‰K Seminar on Japanese Music |
âV“¡@”\(SAITO Mizukano)C²ì@Š](SAGAWA Kaoru) | 3”N,4”N | ‰‰K | |
23065 |
‘OŠú | ŽwŠö–@Šî‘b Conducting |
“n•Ó@Cg(WATANABE Osami) | 3”N,4”N | ‰‰K | |
23066 |
‘OŠú | ¶ŠUŠwK‚Æ‘¢Œ` Life-long Learning through Art |
LIAO Xitong | 3”N,4”N | ‰‰K | |
23067 |
‘OŠú | ’²—‚ÆH¶ŠˆÝŒv Cooking and Menu design |
–îŒû@—F—(YAGUCHI Yuri) | 2”N,3”N,4”N | u‹` | |
23068 |
ŒãŠú | S—ŠwŒ¤‹†–@ Methology of psychology |
œA“c@Mˆê(HIROTA Shinichi) | 2”N,3”N,4”N | ‰‰K | |
23069 |
‘OŠú | ’²—ŠwŽÀK Cooking Practice |
“í–{@Œ’“ñ(KUSUMOTO Kenji) | 2”N,3”N,4”N | ŽÀK | |
23071 |
ŒãŠú | Œ’N‰ÈŠw‰‰K Exercise of Health Science |
“í–{@Œ’“ñ(KUSUMOTO Kenji),ˆäã@Œ÷ˆê˜Y(INOUE Koichiro) | 3”N,4”N | ‰‰K | |
23072 |
‘OŠú | ’nˆæƒXƒ|[ƒcŽÀ‹Zi‰Ä‹GƒXƒ|[ƒcj Camping |
ù£@‰ëŽj(SASASE Masasi) | 2”N,3”N,4”N | ŽÀ‹Z | |
23073 |
ŒãŠú | ’nˆæƒXƒ|[ƒcŽÀ‹Zi“~‹GƒXƒ|[ƒcj Skills on Winter Sports |
ˆäã@Œ÷ˆê˜Y(INOUE Koichiro),À“c@®(NUMATA Hisashi),“nç³@MW(WATANABE Nobuaki),ŽOŽ}@I(MIEDA Takumi) | 2”N,3”N,4”N | ŽÀ‹Z | |
23076 |
‘OŠú | •¶‰»‘n‘¢‚ւ̵‘Ò Invitation to Graduate school of Regional Education, Art and Science |
ŽOŽ}@I(MIEDA Takumi),“n•Ó@Cg(WATANABE Osami),“yˆä@Œh^(DOI Hiromasa) | 2”N | u‹` | |
23077 |
ŒãŠú | •¶‰»‘n‘¢ƒtƒB[ƒ‹ƒhƒ[ƒN Fieldwork for Community Culture |
¬—Ñ@r‰î(KOBAYASI Syunsuke),“n•Ó@Cg(WATANABE Osami),ˆäã@Œ÷ˆê˜Y(INOUE Koichiro) | 2”N,3”N | ‰‰K | |
23078 |
ŒãŠú | ƒAƒ“ƒTƒ“ƒuƒ‹Šî‘b EnsembleiBasic) |
“n•Ó@Cg(WATANABE Osami)@ŽO—Ö@ˆèiMIWA IKUj | 2”N,3”N,4”N | ‰‰K | |
23084 |
ŒãŠú | Œ®”ÕŠyŠí‘t–@Šî‘b Piano Study (Basic) |
ŽO—Ö@ˆè(Miwa,Iku) | 1”N,2”N | ‰‰K | |
23086 |
ŒãŠú | —§‘Ì‘¢Œ`•¶‰»˜_ Sculpture and Culture |
“yˆä@Œh^(DOI Hiromasa) | 2”N,3”N,4”N | u‹` | |
23090 |
‘OŠú | ”F’mS—Šwi’mŠoE”F’mS—Šwj Introduction to Cognitive Psychology |
‘å™@®”V(OSUGI Takayuki) | 2”N,3”N,4”N | u‹` | |
23091 |
‘OŠú | ŠwKS—ŠwiŠwKEŒ¾ŒêS—Šwj Learning Psychology |
œA“c@Mˆê(HIROTA Shinichi) | 2”N,3”N,4”N | u‹` | |
23092 |
‘OŠú | Š´îElŠiS—Šw Psychology of Emotion and Personality |
‰Í‡@‹P‹v(KAWAI@Teruhisa),‰Y–ì@—R•½(URANO Yuhei) | 2”N,3”N,4”N | u‹` | |
23094 |
ŒãŠú | ‹³ˆçS—Šwi‹³ˆçEŠwZS—Šwj Educational and School Psychology |
ŠÖŒû@—Yˆê(SEKIGUCHI Yuichi) | 1”N,2”N,3”N,4”N | u‹` | |
23095 |
‘OŠú | S—“IƒAƒZƒXƒƒ“ƒg Psychological Assessment |
‰Y–ì@—R•½(URANO Yuhei) | 3”N,4”N | ‰‰K | |
23096 |
‘OŠú | S—ŠwŽÀŒ± Psychological Experiments |
“¡‰ª@‹v”üŽq(FUJIOKA Kumiko),²“¡@G•½(SATO Kohei),–{“‡@—DŽq(MOTOSHIMA Yuko),ŠÖŒû@—Yˆê(SEKIGUCHI Yuichi),@‰Y–ì—R•½iURANO Yuhei) | 2”N,3”N,4”N | ‰‰K | |
23100 |
‘OŠú | •¶‰»‘n¶ƒZƒ~ƒi[ Seminar on Cultural Innovation |
•¶‰»‘n¶ƒR[ƒX‹³ˆõ | 1”N,2”N,3”N,4”N | u‹` | |
23101 |
‘OŠú | H¶Šˆ˜_ The study of healthy life and diet |
¬Žðˆä@‹M°(KOZAKAI Takaharu),‘åX@Œj(OMORI Katsura),–îŒû@—F—(YAGUCHI Yuri),ŽOŒ´@–@Žq(MIHARA Noriko) | 1”N,2”N,3”N,4”N | u‹` | |
23201 |
‘OŠú | Œ®”ÕŠyŠí‘t–@‰ž—p‰‰K Piano Studyi2nd Step) |
ŽO—Ö@ˆè(Miwa,Iku) | 2”N,3”N,4”N | ‰‰K | |
23204 |
‘OŠú | ŠÇŒ·‘ÅŠyŠí‘t–@‰ž—p‰‰K Orchestral Instruments |
Œ¢•š@ˆŸ—¢(INUBUSHI Ari)A¬“c@аiNARITA Hiroshi)A“nç²@Œ¤‘½˜YiWATANABE Kentaro)A–öàV@’q”ViYANAGISAWA Tomoyuki)A¬¼ú±@‹±Žq(KOMATSUZAKI Kyoko)AŽÄ“c@—S‘¾iSIBATA Yuta)A ìã@ˆê“¹iKAWAKAMI Ichido)Aã–ì@Œ’iUENO Ken)Aˆäã@’¼Ž÷iINOUE Naoki)AŠÖ’J@’q—miSEKIYA Tomohiro)Aûü‹´@’qLiTAKAHASHI Tomohiro)A•½‰º@˜a¶iHIRASHITA Kazuoj–F‰ê@‘å•ôiHAGA Hirotaka ) | 2”N,3”N,4”N | ‰‰K | |
23216 |
‘OŠú | ‘¢Œ`Žj“Á˜_ Modern Art |
¬—Ñ@r‰î(KOBAYASI Syunsuke) | 2”N,3”N,4”N | u‹` | |
23217 |
‘OŠú | ƒR[ƒ`ƒ“ƒO˜_ Coaching Theory |
ŽOŽ}@I(MIEDA Takumi),“nç³@MW(WATANABE Nobuaki) | 2”N,3”N,4”N | u‹` | |
23218 |
‘OŠú | ƒgƒŒ[ƒjƒ“ƒO˜_ Training Theory and Method for Physical Fitness |
“nç³@MW(WATANABE Nobuaki) | 2”N,3”N,4”N | u‹` | |
23219 |
‘OŠú | ‰¹Šy‰È‹³ˆç–@ Teaching Method (Music) |
²ì@Š](SAGAWA Kaoru) | 2”N,3”N,4”N | u‹` | |
23220 |
‘OŠú | ”üp‰È‹³ˆç–@ Teaching Methods of Art Educaiton |
LIAO Xitong | 2”N,3”N,4”N | u‹` | |
23221 |
‘OŠú | •ÛŒ’‘̈ç‰È‹³ˆç–@ Teaching Methods iHealth and Physical Educationj |
¬¼@P½(KOMATSU Tsunemi) | 2”N,3”N,4”N | u‹` | |
23222 |
ŒãŠú | ì‹È–@‰ž—p Applied Composition |
–¼‘q@–¾Žq(NAGURA Akiko) | 2”N,3”N,4”N | u‹` | |
23223 |
ŒãŠú | •‘‘ä•\Œ»‰‰K Stage Expression Exercises |
“n•Ó@CgiWATANABE OsamijAŽO—ÖˆèiMIWA IkujA[£@—õ(FUKASE Ren)A’†”¨@~iNAKAHATA Makoto)AŒÃ‰ê@–]ŽqiKOGA Machiko) | 2”N,3”N,4”N | ‰‰K | |
23224 |
ŒãŠú | ‰h—{ŠwŽÀŒ±‰‰K Seminar in experiment of animal nutrition |
¬Žðˆä@‹M°(KOZAKAI Takaharu) | 2”N,3”N,4”N | ‰‰K | |
23226 |
ŒãŠú | ‘Ì—Í‘ª’艉K Measuring Methods for Physical Fitness |
ˆäã@Œ÷ˆê˜Y(INOUE Koichiro),´…@(SHIMIZU Kaori) | 2”N,3”N,4”N | ‰‰K | |
23227 |
ŒãŠú | ƒXƒ|[ƒcˆã‰ÈŠw Sports Medicine and Science |
“nç³@MW(WATANABE Nobuaki),´…@(SHIMIZU Kaori) | 2”N,3”N,4”N | u‹` | |
23228 |
ŒãŠú | ‰q¶EŒöO‰q¶Šw Public Health |
Vˆä@–Ò_(ARAI Takehiro) | 2”N,3”N,4”N | u‹` | |
23229 |
‘OŠú | ŠwZ•ÛŒ’ School Health |
Vˆä@–Ò_(ARAI Takehiro) | 3”N,4”N | u‹` | |
23230 |
ŒãŠú | H‚ÆŽ¾•a A meal and disease |
ŽOŒ´@–@Žq(MIHARA Noriko) | 2”N,3”N,4”N | u‹` | |
23232 |
‘OŠú | ƒAƒ“ƒTƒ“ƒuƒ‹‰ž—p‰‰K Ensemble |
“n•Ó@Cg(WATANABE Osami) | 3”N,4”N | ‰‰K | |
23233 |
‘OŠú | ‡¥‰ž—p‰‰K Chorus |
[£@—õ(FUKASE Ren),“n•Ó@Cg(WATANABE Osami) | 3”N,4”N | ‰‰K | |
23234 |
‘OŠú | ‡‘t‰ž—p‰‰K Orchestra |
“n•Ó@Cg(WATANABE Osami) | 3”N,4”N | ‰‰K | |
23235 |
‘OŠú | ’nˆæ‚ƃfƒUƒCƒ“ Regionality and Design |
¬—Ñ@r‰î(KOBAYASI Syunsuke),¼–ì@‹BŽj(NISHINO Takeshi) | 3”N,4”N | u‹` | |
23236 |
‘OŠú | ’nˆæƒtƒ@ƒVƒŠƒe[ƒgŽÀ‘H˜_ Theory of facilitation for Community Management |
‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke) | 3”N,4”N | ‰‰K | |
23237 |
‘OŠú | ŠG‰æ‰ž—p‰‰K Seminar on practice of advanced Painting |
¬—Ñ@r‰î(KOBAYASI Syunsuke) | 3”N,4”N | ‰‰K | |
23238 |
‘OŠú | ’¤‰ž—p‰‰K Applied Sculpting |
“yˆä@Œh^(DOI Hiromasa) | 3”N,4”N | ‰‰K | |
23239 |
‘OŠú | ’¤˜_ Introduction to Sculpture |
“yˆä@Œh^(DOI Hiromasa) | 3”N,4”N | u‹` | |
23240 |
‘OŠú | ƒfƒUƒCƒ“‰ž—p‰‰K Seminar in Advanced Design Work |
‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke) | 3”N,4”N | ‰‰K | |
23244 |
‘OŠú | ƒXƒ|[ƒcsŠw Administration of Sport |
ù£@‰ëŽj(SASASE Masasi) | 3”N,4”N | u‹` | |
23245 |
ŒãŠú | ƒXƒ|[ƒcŽj History of Sports |
’£@ˆçãY(CHANG, Yuchi) •y“c K—S(TOMITA, Kosuke) | 3”N,4”N | u‹` | ‡@ |
23246 |
ŒãŠú | ƒXƒ|[ƒc‰h—{Šw Sports nutrition |
–îŒû@—F—(YAGUCHI Yuri) | 2”N,3”N,4”N | u‹` | |
23247 |
‘OŠú | ƒXƒ|[ƒc‰h—{Šw Sports nutrition |
–îŒû@—F—(YAGUCHI Yuri) | 3”N,4”N | u‹` | |
23248 |
‘OŠú | ‘̈çƒXƒ|[ƒcŽÀ‹Ziƒ_ƒ“ƒXj Pyhsical education ESports excise (Dance) |
‰Ô—Ö@çH(HANAWA Chiaki) | 3”N,4”N | ŽÀ‹Z | |
23251 |
ŒãŠú | ’nˆæƒtƒ@ƒVƒŠƒe[ƒgŽÀ‘H‰‰K Seminar on facilitation for Community Management |
‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke) | 3”N,4”N | ‰‰K | |
23252 |
ŒãŠú | ŠG‰æ˜_ Seminar on Material and Technique of Painting |
¬—Ñ@r‰î(KOBAYASI Syunsuke) | 3”N,4”N | u‹` | |
23253 |
ŒãŠú | ‘¢Œ`•\Œ»‘‡‰‰K Seminar on Plastic Art and Mixed Media |
¬—Ñ@r‰î(KOBAYASI Syunsuke),‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke),“yˆä@Œh^(DOI Hiromasa),LIAO Xitong | 3”N,4”N | ‰‰K | |
23256 |
ŒãŠú | ‘̈çƒXƒ|[ƒcŽÀ‹Zi‹…‹Zj Sports skillsiSoccer, Basketball, Volleyballj |
ˆäã@Œ÷ˆê˜Y(INOUE Koichiro)C¬¼P½(KOMATSU Tsunemi)C–¢’è | 2”N,3”N,4”N | ŽÀ‹Z | |
23257 |
ŒãŠú | ƒXƒ|[ƒcƒ}ƒlƒWƒƒ“ƒg Sport Management |
’£@ˆçãY(Chang Yuchi) | 3”N,4”N | u‹` | |
23258 |
‘OŠú | ‘̈çƒXƒ|[ƒcŽÀ‹Zi…‰jEƒAƒNƒAƒXƒ|[ƒcj Sports Skills(SwimmingEAquasportsj |
´…@(SHIMIZU Kaori) | 1”N,2”N,3”N,4”N | ŽÀ‹Z | |
23259 |
‘OŠú | ‘̈çƒXƒ|[ƒcŽÀ‹Zi•“¹E—¤ã‹£‹ZE‘Ì‘€j Sports Skills (Budo,Athletics,Exercise) |
“nç³@MW(WATANABE Nobuaki),’|“c@—²ˆê(TAKEDA Ryuichi),–öì@ˆè¶(YANAGAWA Ikuo) | 2”N,3”N,4”N | ŽÀ‹Z | |
23261 |
ŒãŠú | ‰¹Šy‚Ì‹³Þ•ªÍA Evaluating Teaching Materials (Music) A |
²ì@Š](SAGAWA Kaoru) | 2”N,3”N,4”N | u‹` | |
23262 |
‘OŠú | ‰¹Šy‚Ì‹³Þ•ªÍB Evaluating Teaching Materials (Music) B |
“n•Ó@Cg(WATANABE Osami) | 3”N,4”N | u‹` | |
23263 |
‘OŠú | ”üp‚Ì‹³Þ•ªÍA Evaluating Teaching Materials (Art) A |
LIAO Xitong,¬—Ñ@r‰î(KOBAYASI Syunsuke) | 2”N,3”N,4”N | u‹` | |
23264 |
ŒãŠú | ”üp‚Ì‹³Þ•ªÍB Evaluating Teaching Materials (Art) B |
‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke) | 2”N,3”N,4”N | u‹` | |
23265 |
ŒãŠú | •ÛŒ’‘̈ç‚Ì‹³Þ•ªÍA Evaluating Teaching Materials (Health and Physical Education) A |
¬¼@P½(KOMATSU Tsunemi) | 2”N,3”N,4”N | u‹` | |
23266 |
‘OŠú | •ÛŒ’‘̈ç‚Ì‹³Þ•ªÍB Evaluating Teaching Materials iHealth and Physical Educationj B |
¬¼@P½(KOMATSU Tsunemi),’|“c@—²ˆê(TAKEDA Ryuichi),“nç³@MW(WATANABE Nobuaki) | 3”N,4”N | u‹` | |
23267 |
ŒãŠú | ‰¹Šy‰ÈŽÀ‘H‰‰K Practical Teacher Teaching (Music) |
–¼‘q@–¾Žq(NAGURA Akiko),²ì@Š](SAGAWA Kaoru),“n•Ó@Cg(WATANABE Osami) | 3”N,4”N | ‰‰K | |
23268 |
‘OŠú | ”üp‰ÈŽÀ‘H‰‰K Practical Teacher Teaching (Art) |
LIAO Xitong,‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke),¬—Ñ@r‰î(KOBAYASI Syunsuke),“yˆä@Œh^(DOI Hiromasa) | 3”N,4”N | ‰‰K | |
23269 |
‘OŠú | •ÛŒ’‘̈ç‰ÈŽÀ‘H‰‰K Practical Teacher Teaching iHealth and Physical Educationj |
¬¼@P½(KOMATSU Tsunemi) | 3”N,4”N | ‰‰K | |
23271 |
ŒãŠú | ’²—‰ÁH‰ÈŠwŽÀŒ± Cooking Experiment |
“í–{@Œ’“ñ(KUSUMOTO Kenji) | 3”N,4”N | ŽÀŒ± | |
23273 |
‘OŠú | ŽÐ‰ï‹³ˆçŽ{Ý[•¶‰»‘n¶ƒR[ƒX] Social Education Facilities |
ŸNˆä@í–îiSAKURAI Tsuneya) | 2”N,3”N,4”N | u‹` | |
23275 |
‘OŠú | Šm—¦E“ŒvŠT˜_[•¶‰»‘n¶ƒR[ƒX] Introduction to Probability and Statistics |
âŒû@—²”V(SAKAGUCHI Takayuki) | 2”N,3”N,4”N | u‹` | |
23276 |
ŒãŠú | “ŒvŠw[•¶‰»‘n¶ƒR[ƒX] Statistics |
âŒû@—²”V(SAKAGUCHI Takayuki) | 2”N,3”N,4”N | u‹` | |
23278 |
ŒãŠú | ¶•¨Šw‰‰K[•¶‰»‘n¶ƒR[ƒX] Seminar of Biology |
‘êàV@‹§(Tadashi TAKIZAWA) | 2”N,3”N,4”N | ‰‰K | |
23279 |
‘OŠú | ŽÐ‰ï‹³ˆçŽÀK[•¶‰»‘n¶ƒR[ƒX] Practical Activities in Social Education |
‹àŽR@Ž¡s(KANEYAMA Haruyuki)AXŽR@^ŸiMoriyama Masumi) | 2”N,3”N,4”N | ‰‰K | |
23292 |
ŒãŠú | Ži–@E”ÆßS—Šw Juducal criminal psychology |
›“¡@Œ’ˆê(KANTO Kenichi) | 2”N,3”N,4”N | W’† | |
23293 |
ŒãŠú | áŠQŽÒEáŠQŽ™S—Šw Psychology for Adults & Children with Disabilities |
–{“‡@—DŽq(MOTOSHIMA Yuko), ’r“c@Ê”T(IKEDA Ayano), ‰Y–ì@—R•½(Urano Yuhei), “¡‰ª@‹v”üŽq(Fujioka@Kumiko) | 2”N,3”N,4”N | u‹` | |
23294 |
ŒãŠú | Œ’NEˆã—ÃS—Šw Health and Medical Psychology |
‰Y–ì@—R•½(URANO Yuhei),‰Í‡@‹P‹v(KAWAI@Teruhisa) | 2”N,3”N,4”N | u‹` | |
23295 |
ŒãŠú | •ŸŽƒS—Šw Psychology for Social Welfare |
‰Í‡@‹P‹v(KAWAI@Teruhisa) | 2”N,3”N,4”N | u‹` | |
23296 |
ŒãŠú | l‘Ì‚Ì\‘¢‚Æ‹@”\‹y‚ÑŽ¾•a Human Body Structure, Function and Diseases |
—é–Ø~•½(SUZUKI Junpei) | 2”N,3”N,4”N | u‹` | |
23297 |
‘OŠú | S—Šw“IŽx‰‡–@ Methods of Psychological Support |
‰Í‡@‹P‹v(KAWAI@Teruhisa) | 3”N,4”N | u‹` | |
23298 |
ŒãŠú | ‰Æ‘°S—ŠwiŽÐ‰ïEW’cE‰Æ‘°S—Šwj Family Psychology: Family Psychology including Groups and Communities |
²“¡@G•½(SATO Kohei) | 3”N,4”N | u‹` | |
23299 |
ŒãŠú | ŠÖŒWs˜_ Related administration |
¶“‡@_(SHOJIMA Hiroshi),ŠÝ@—³”n(KISHI Tatsuma),ˆÀ•”@ˆèŽq(ABE Ikuko),–Ø@^—(AOKI Mari),ŒÜ\—’@“Ö(IGARASHI Atsushi) | 3”N,4”N | u‹` | |
23300 |
‘OŠú | ºŠy‰ž—p‰‰K Practical Vocal Music |
[£@—õ(FUKASE Ren) | 2”N,3”N,4”N | ‰‰K | |
23500 |
‘OŠú | ”Ž•¨ŠÙŠw(ŠT˜_) Museology |
²“¡@‹Õ(SATO Koto) | 1”N,2”N,3”N,4”N | u‹` | |
23501 |
ŒãŠú | ”Ž•¨ŠÙŠw(Œo‰c˜_) Museum Management |
²“¡@‹Õ(SATO Koto) | 2”N,3”N,4”N | u‹` | |
23502 |
ŒãŠú | ”Ž•¨ŠÙŠw(Ž‘—¿˜_) Museum Collection Management |
²“¡@‹Õ(SATO Koto) | 2”N,3”N,4”N | u‹` | |
23505 |
ŒãŠú | ‘‡•‘‘äŒ|pŽÀ‘H‰‰K Practice in Comprehensive Performing Arts |
[£@—õ(FUKASE Ren),“n•Ó@Cg(WATANABE Osami) | 3”N,4”N | ‰‰K | |
23506 |
ŒãŠú | ŠG‰æ‹Z–@‰‰K Seminar on Material and Technique of Painting |
¬—Ñ@r‰î(KOBAYASI Syunsuke) | 3”N,4”N | ‰‰K | |
23507 |
ŒãŠú | ’¤‹Z–@‰‰K Seminar on Material and Technique of Sculpting |
“yˆä@Œh^(DOI Hiromasa) | 3”N,4”N | ‰‰K | |
23509 |
‘OŠú | ’nˆæHˆçŽÀK Food education practice in the community |
‘åX@Œj(OMORI Katsura) | 3”N,4”N | ŽÀK | |
23510 |
ŒãŠú | ƒLƒƒƒŠƒA‹³ˆç Career Strategies |
“yˆä@Œh^(DOI Hiromasa),¼â@’¨_(MATSUZAKA Nobuhiro),‘êàV@‹§(TAKIZAWA, Tadashi) | 2”N,3”N,4”N | ‰‰K | |
23511 |
‘OŠú | ¶ŠUƒXƒ|[ƒcŽÀ‹Ziƒ‰ƒPƒbƒgEƒoƒbƒgEƒŒƒNƒŠƒG[ƒVƒ‡ƒ“ƒXƒ|[ƒcj Sports Skills(Recreational Sport,Golf,Tennis) |
ù£@‰ëŽj(SASASE Masasi),“V–ì@˜a•F(AMANO Kazuhiko),À“c@®(NUMATA Hisashi) | 3”N,4”N | ŽÀ‹Z | |
23513 |
‘OŠú | ‹³ˆçŽÀ‘HŽÀK‚a[•¶‰»‘n¶ƒR[ƒX] Teaching practice B |
‹³ˆçŽÀKê–åˆÏˆõ‰ï | 3”N,4”N | ŽÀK | |
23514 |
W’† | ‹³ˆçŽÀ‘HŽÀKC[•¶‰»‘n¶ƒR[ƒX] Teaching practice C |
‹³ˆçŽÀKê–åˆÏˆõ‰ï | 3”N,4”N | ŽÀK | |
23515 |
‘OŠú | ‹³ˆçŽÀ‘HŠî‘bŽÀKi’†j[•¶‰»‘n¶ƒR[ƒX] ‹³ˆçŽÀ‘HŠî‘bŽÀKi’†j |
–ìŒû@“O(NOGUCHI Toru),‹³ˆçŽÀKê–åˆÏˆõ‰ï() | 2”N,3”N,4”N | ŽÀK | |
23516 |
‘OŠú | ‹³ˆçŽÀ‘HŽÀKŽ–‘OEŽ–ŒãŽw“±i’†E‚j[•¶‰»‘n¶ƒR[ƒX] ‹³ˆçŽÀ‘HŽÀKŽ–‘OEŽ–ŒãŽw“±i’†E‚j |
‹³ˆçŽÀKê–åˆÏˆõ‰ï,â–{@–¾”ü(SAKAMOTO Akemi),àF]Šw”ü(SHIBUE Manabi),–ìŒû@“O(NOGUCHI Toru),‹{ŠÚ@VŒá(MIYADATE Shingo),²“¡@G•½(SATO Kohei),‹g“c@½(YOSHIDA Makoto),–{“‡@—DŽq(MOTOSHIMA Yuko),œA“c@Mˆê(HIROTA Sinichi),ŠÖŒû@—Yˆê(SEKIGUCHI Yuichi) | 2”N,3”N,4”N | ŽÀK | |
23517 |
W’† | ‹³ˆç—Õ°‘ÌŒ±i‰îŒì“™‘ÌŒ±j[•¶‰»‘n¶ƒR[ƒX] Educational counseling practiceicaregiving experiencej |
‹³ˆçŽÀKê–åˆÏˆõ‰ï | 2”N,3”N,4”N | ŽÀK | |
23518 |
‘OŠú | ‹³E˜_[•¶‰»‘n¶ƒR[ƒX] Introduction to Teacher and Teaching Profession |
‹g“c@½(YOSHIDA Makoto) | 2”N,3”N,4”N | u‹` | |
23519 |
‘OŠú | ‹³ˆçŽÐ‰ïŠw[•¶‰»‘n¶ƒR[ƒX] Sociology of Education |
…’J@’q•F(MIZUTANI Tomohiko) | 3”N,4”N | u‹` | |
23520 |
ŒãŠú | ‹³ˆçŒo‰cŠw[•¶‰»‘n¶ƒR[ƒX] Lecture in Education Administration |
‹g“c@®Žj(YOSHIDA Naofumi) | 3”N,4”N | u‹` | |
23521 |
ŒãŠú | ‹³ˆç‰Û’ö•Ò¬˜_[•¶‰»‘n¶ƒR[ƒX] Theory of Curriculum Development |
–ìŒû@“O(NOGUCHI Toru) | 3”N,4”N | u‹` | |
23522 |
ŒãŠú | “Á•ÊŠˆ“®˜_[•¶‰»‘n¶ƒR[ƒX] Theory of Special Activities |
–ìŒû@“O(NOGUCHI Toru) | 3”N,4”N | u‹` | |
23523 |
ŒãŠú | ‹³EŽÀ‘H‰‰Ki’†ŠwZE‚“™ŠwZj Teacher Training Practice |
•¶‰»‘n¶ƒR[ƒX‹³ˆõiŠw–±ˆÏˆõAŠe‹³‰È’S“–ŽÒj,–ìŒû@“O(NOGUCHI Toru),‹³ˆçŽÀ‘HŒ¤‹†‰ÈŽÀ–±‰Æ‹³ˆõ | 4”N | ‰‰K | |
23524 |
‘OŠú | “¹“¿‹³ˆç‚Ì—˜_‚ÆŽÀ‘H[•¶‰»‘n¶ƒR[ƒX] Theory and Practice of Moral Education |
‹g“c@½(YOSHIDA Makoto) | 3”N,4”N | u‹` | |
23525 |
‘OŠú | ¶“kŽw“±Ei˜HŽw“±[•¶‰»‘n¶ƒR[ƒX] Educational guidance and career guidance |
²“¡@G•½(SATO Kohei) | 3”N,4”N | u‹` | |
23526 |
ŒãŠú | ‹³ˆç‘Š’km•¶‰»‘n¶ƒR[ƒXn School Counseling |
ŠÖŒû@—Yˆê(SEKIGUCHI Yuichi) | 3”N,4”N | u‹` | |
23529 |
‘OŠú | ŠÂ‹«‹³ˆç˜_[•¶‰»‘n¶ƒR[ƒX] Environmental Education |
’|—Ñ@’m‘å (TAKEBAYASHI Tomohiro) | 2”N,3”N,4”N | u‹` | |
23535 |
‘OŠú | ‘‡•\Œ»Šî‘b‰‰K Comprehensive representative exercises of music(Basic) |
“n•Ó@CgiWATANABE OsamijAŽO—Ö ˆèiMIWA IkujA–¼‘q@–¾ŽqiNAGURA AkikojA[£—õiFUKASE@RenjA’†”¨@~iNAKAHATA MakotojAŒÃ‰ê@–]ŽqiKOGA MachikojA ŽR‹¿’S“–‹³ˆõ | 3”N,4”N | ‰‰K | |
23550 |
‘OŠú | Œö”FS—Žt‚ÌEÓ Responsibility of an Authorized Psychologist |
›“¡@Œ’ˆê(KANTO Kenichi) | 3”N,4”N | u‹` | |
23551 |
‘OŠú | S—‰‰K Seminar in Psychology |
ŠÖŒû@—Yˆê(SEKIGUCHI Yuichi),²“¡@G•½(SATO Kohei),–{“‡@—DŽq(MOTOSHIMA Yuko),‰Í‡@‹P‹v(KAWAI@Teruhisa),‰Y–ì@—R•½(URANO Yuhei),“¡‰ª@‹v”üŽq(FUJIOKA Kumiko) | 3”N,4”N | ‰‰K | |
23552 |
’Ê”N | S—ŽÀK Practical Training in Psychology |
“¡‰ª@‹v”üŽq(FUJIOKA Kumiko),²“¡@G•½(SATO Kohei),–{“‡@—DŽq(MOTOSHIMA Yuko),ŠÖŒû@—Yˆê(SEKIGUCHI Yuichi),‰Í‡@‹P‹v(KAWAI@Teruhisa),‰Y–ì@—R•½(URANO Yuhei) | 3”N,4”N | ŽÀKE‰‰K | |
23556 |
ŒãŠú | ‘‡•\Œ»‰ž—p‰‰K Comprehensive representative exercises of music |
“n•Ó@Cg(WATANABE Osami) | 3”N,4”N | ‰‰K | |
23560 |
‘OŠú | ‘‡“I‚ÈŠwK‚ÌŽžŠÔ˜_ Theory of Period for Integrated Study |
–ìŒû@“O(NOGUCHI Toru) | 3”N,4”N | ‰‰K | |
23564 |
ŒãŠú | ‹³ˆç•û–@E‹Zpiî•ñ’ÊM‹Zp‚ðŠˆ—p‚µ‚½‹³ˆç‚Ì—˜_‹y‚Ñ•û–@‚ðŠÜ‚ÞBj Educational Methodologyiincluding Theories and Methods of Education Using ICTj |
â–{@–¾”ü(SAKAMOTO Akemi),’†ŽR@—S‹M(NAKAYAMA Yuki) | 2”N,3”N,4”N | u‹` | |
23600 |
‘OŠú | “Á•ʉۑ艉KI Seminar for Special Challenges I |
¬¼@P½(KOMATSU Tsunemi) | 3”N,4”N | ‰‰K | |
23614 |
‘OŠú | “Á•ʉۑ艉KI Seminar for Special Challenges I |
•¶‰»‘n¶ƒR[ƒX‹³ˆõ | 3”N,4”N | ‰‰K | |
23664 |
ŒãŠú | “Á•ʉۑ艉KII Seminar for Special Challenges ‡U |
•¶‰»‘n¶ƒR[ƒX‹³ˆõ | 3”N,4”N | ‰‰K | |
23715 |
‘OŠú | ’nˆæ•¶‰»ƒfƒUƒCƒ“ƒZƒ~ƒi[‡T Seminar on design for Community Culture ‡T |
–¼‘q@–¾Žq(NAGURA Akiko) | 3”N,4”N | ‰‰K | |
23765 |
ŒãŠú | ’nˆæ•¶‰»ƒfƒUƒCƒ“ƒZƒ~ƒi[‡U Seminar on design for Community Culture ‡U |
–¼‘q@–¾Žq(NAGURA Akiko) | 3”N,4”N | ‰‰K | |
23812 |
’Ê”N | “Á•ÊŒ¤‹†Šî‘bƒvƒŒƒ[ƒ“ƒe[ƒVƒ‡ƒ“ Basics of Research for Specific Subject |
–¼‘q@–¾Žq(NAGURA Akiko) | 4”N | ‰‰K | |
23850 |
’Ê”N | ‘²‹ÆŒ¤‹† Graduation research |
¬Žðˆä@‹M°(KOZAKAI Takaharu) | 4”N | ‰‰K | |