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ŽžŠÔŠ„
ƒR[ƒh
ŠwŠú‰È–Ú–¼’S“–‹³ˆõ–¼Šw”NŒ`‘ÔŽÀŽ{•û–@i—\’è‚ðŠÜ‚Þj
i4ŒŽ1“úŽž“_j

23002
ŒãŠú ’nˆæ–hИ_
Regional Disaster Prevention
ŒF’J@½(KUMAGAI Makoto) 2”N,3”N,4”N u‹`

23004
ŒãŠú H•¶‰»˜_
Food Culture
‘åX@Œj(OMORI Katsura) 1”N,2”N,3”N,4”N u‹`

23005
ŒãŠú ƒ‰ƒCƒtƒXƒe[ƒW‚ƃXƒ|[ƒc
Lifestage and Sport
ŽOŽ}@I(MIEDA Takumi),´…@(SHIMIZU Kaori) 1”N,2”N,3”N,4”N u‹`

23006
‘OŠú ƒ‰ƒCƒtƒXƒe[ƒW‚ÆH
Life stage and Diet
“í–{@Œ’“ñ(KUSUMOTO Kenji) 2”N,3”N,4”N u‹`

23007
‘OŠú ƒfƒUƒCƒ“‚Æ•¶‰»
Introduction to Design and Culture
‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke) 2”N,3”N,4”N u‹` ‡@

23009
’Ê”N Œ|pƒAƒEƒgƒŠ[ƒ`Šî‘b
Musical Art Outreach Basics
–¼‘q@–¾Žq(NAGURA Akiko),[£@—õ(FUKASE Ren),“n•Ó@Cg(WATANABE Osami) 2”N,3”N,4”N u‹`

23010
‘OŠú S—ŠwŠT˜_
Introduction to Psychology
“¡‰ª@‹v”üŽq(FUJIOKA Kumiko),²“¡@G•½(SATO Kohei) 1”N,2”N,3”N,4”N u‹`

23011
‘OŠú ’nˆæ•¶‰»ŽÀ‘H˜_
Theory of Cultural Activities in the Region
ˆ¾–ì@••¶iAWANO Takehumij 2”N,3”N,4”N u‹`

23012
ŒãŠú ƒ\ƒ‹ƒtƒF[ƒWƒ…Šî‘b
Solfege Basics
–¼‘q@–¾Žq(NAGURA Akiko) 1”N,2”N,3”N,4”N u‹`

23013
‘OŠú •½–Ê‘¢Œ`Šî‘b
Basics of Plastic Art (Painting)
¬—Ñ@r‰î(KOBAYASI Syunsuke) 1”N,2”N,3”N,4”N ‰‰K

23014
‘OŠú ƒ‰ƒCƒtƒXƒe[ƒW‚ÆS—Žx‰‡
Life stage and Psychological Support
‰Í‡@‹P‹v(KAWAI@Teruhisa), ˆÉ“¡@•üŽqiITO@Tomokoj 2”N,3”N,4”N u‹`

23015
ŒãŠú ‰¹Šy•¶‰»˜_
Theory of Musical Culture
–¼‘q@–¾Žq(NAGURA Akiko),²ì@Š](SAGAWA Kaoru),[£@—õ(FUKASE Ren),“n•Ó@Cg(WATANABE Osami) 1”N,2”N,3”N,4”N u‹`

23016
ŒãŠú ƒXƒ|[ƒc‰ÈŠwŠî‘b˜_
Introduction to Sports Sciences
ˆäã@Œ÷ˆê˜Y(INOUE Koichiro),’£@ˆçãY(Chang Yuchi),´…@(SHIMIZU Kaori),ù£@‰ëŽj(SASASE Masasi),–îŒû@—F—(YAGUCHI Yuri),“nç³@MW(WATANABE Nobuaki),ŽOŽ}@I(MIEDA Takumi) 1”N,2”N,3”N,4”N u‹`

23017
ŒãŠú H‚ÆŒ’N
Diet and Health Sciences
“í–{@Œ’“ñ(KUSUMOTO Kenji) 1”N,2”N,3”N,4”N u‹`

23018
‘OŠú ‰¹Šy—˜_Šî‘b
Music Theory Basics
–¼‘q@–¾Žq(NAGURA Akiko) 1”N,2”N,3”N,4”N u‹`

23019
ŒãŠú ŠÇŒ·‘ÅŠyŠí‘t–@Šî‘b
Orchestral Instruments (Basic)
“n•Ó@Cg(WATANABE Osami),¬¼ú±@‹±Žq(KOMATSUZAKI Kyoko) 1”N,2”N,3”N,4”N ‰‰K

23031
ŒãŠú Œ®”ÕŠyŠí‘t–@Šî‘b
Piano Study (Basic)
ŽO—Ö@ˆè(MIWA Iku) 1”N,2”N,3”N,4”N ‰‰K

23034
ŒãŠú —§‘Ì‘¢Œ`Šî‘b
Elements of Art & Three-Dimensional Modeling
“yˆä@Œh^(DOI Hiromasa),‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke) 1”N,2”N,3”N,4”N ‰‰K

23035
ŒãŠú S—Šw“Œv–@
Statistical Methods of Psychology
‰Y–ì@—R•½(URANO Yuhei) 1”N,2”N,3”N,4”N u‹`

23036
‘OŠú ŠwKS—Šw[•¶‰»‘n¶ƒR[ƒX]
Learning Psychology
œA“c@Mˆê(HIROTA Sinichi) 2”N,3”N,4”N u‹`

23037
‘OŠú ì‹È–@Šî‘b
Basic Composition
–¼‘q@–¾Žq(NAGURA Akiko) 2”N,3”N,4”N u‹`

23038
‘OŠú ŠG‰æŠî‘b
Introduction to Painting
¬—Ñ@r‰î(KOBAYASI Syunsuke) 2”N,3”N,4”N ‰‰K

23039
‘OŠú ’¤Šî‘b
Elements of Sculpture
“yˆä@Œh^(DOI Hiromasa) 2”N,3”N,4”N ‰‰K

23040
‘OŠú ƒfƒUƒCƒ“Šî‘b
Basic Design
‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke) 2”N,3”N,4”N ‰‰K

23041
‘OŠú HŒ|Šî‘b
Elements of Craft Production
‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke) 2”N,3”N,4”N ‰‰K

23042
‘OŠú ƒXƒ|[ƒcŽÐ‰ïŠw
Sport Sociology
ù£@‰ëŽj(SASASE Masasi) 2”N,3”N,4”N u‹`

23043
‘OŠú ƒXƒ|[ƒc¶—Šw
Sports Physiology
´…@(SHIMIZU Kaori) 2”N,3”N,4”N u‹`

23044
‘OŠú ƒXƒ|[ƒcŒ´—
Physical education principle
¬ì@G(OGAWA Hiroshi) 2”N,3”N,4”N u‹` ‡@

23045
‘OŠú ‰h—{ŠwŠT˜_
Basic Nutrition
¬Žðˆä@‹M°(KOZAKAI Takaharu) 2”N,3”N,4”N u‹`

23048
‘OŠú H•i‚Ɖh—{
Foods and Nutrition
ŽOŒ´@–@Žq(MIHARA Noriko),–îŒû@—F—(YAGUCHI Yuri),¬Žðˆä@‹M°(KOZAKAI Takaharu) 2”N,3”N,4”N u‹` ‡@

23049
‘OŠú ŽÐ‰ï‹³ˆç˜_[•¶‰»‘n¶ƒR[ƒX]
Social Education
ˆÀ“¡@kŒÈ(ANDO Kouki) 2”N,3”N,4”N u‹`

23050
‘OŠú ¶ŠUŠwKŽx‰‡˜_‚`[•¶‰»‘n¶ƒR[ƒX]
Suppot of Lifelong Learning A
ˆÀ“¡@kŒÈ(ANDO Kouki) 2”N,3”N,4”N u‹`

23052
ŒãŠú ¶ŠUŠwKŽx‰‡˜_‚a[•¶‰»‘n¶ƒR[ƒX]
Support of LIfelong Learning B
ˆÀ“¡@kŒÈ(ANDO Kouki) 2”N,3”N,4”N u‹`

23053
ŒãŠú —Õ°S—ŠwŠT˜_
Introduction to Clinical Psychology
²“¡@G•½(SATO Kohei),“¡‰ª@‹v”üŽq(FUJIOKA Kumiko) 2”N,3”N,4”N u‹`

23054
ŒãŠú “ú–{”üpŽjŠTà
Japanese Art History
²“¡@‹Õ(SATO Koto) 2”N,3”N,4”N u‹`

23055
ŒãŠú ‡¥Šî‘b‰‰K
Chorus (Basic)
[£@—õ(FUKASE Ren),“n•Ó@Cg(WATANABE Osami) 2”N,3”N,4”N ‰‰K

23056
ŒãŠú ‡‘tŠî‘b‰‰K
OrchestraiBasic)
“n•Ó@Cg(WATANABE Osami) 2”N,3”N,4”N ‰‰K

23057
ŒãŠú ŠG‰æ•\Œ»‰‰K
Seminar on Practice of Painting
¬—Ñ@r‰î(KOBAYASI Syunsuke) 2”N,3”N,4”N ‰‰K

23058
ŒãŠú ’¤•\Œ»‰‰K
Seminar on Sculpture Expressions
“yˆä@Œh^(DOI Hiromasa) 2”N,3”N,4”N ‰‰K

23059
ŒãŠú ƒfƒUƒCƒ“•\Œ»‰‰K
Seminar in Design Work
‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke) 2”N,3”N,4”N ‰‰K

23060
ŒãŠú ƒXƒ|[ƒcS—Šw
Sport Psychology
ŽOŽ}@I(MIEDA Takumi) 2”N,3”N,4”N u‹`

23061
ŒãŠú ƒXƒ|[ƒcƒoƒCƒIƒƒJƒjƒNƒX
Sports Biomechanics
ˆäã@Œ÷ˆê˜Y(INOUE Koichiro) 2”N,3”N,4”N u‹`

23064
‘OŠú “ú–{‰¹Šy‰‰K
Seminar on Japanese Music
²ì@Š](SAGAWA Kaoru),âV“¡@”\(SAITO Mizukano) 3”N,4”N ‰‰K

23065
‘OŠú ŽwŠö–@Šî‘b
Conducting
“n•Ó@Cg(WATANABE Osami) 3”N,4”N ‰‰K

23066
‘OŠú ¶ŠUŠwK‚Æ‘¢Œ`
Life-long Learning through Art
LIAO Xitong 3”N,4”N ‰‰K

23067
‘OŠú ’²—‚ÆH¶ŠˆÝŒv
Cooking and Menu design
–îŒû@—F—(YAGUCHI Yuri) 2”N,3”N,4”N u‹`

23068
ŒãŠú S—ŠwŒ¤‹†–@
Methology of psychology
œA“c@Mˆê(HIROTA Shinichi) 2”N,3”N,4”N ‰‰K

23069
‘OŠú ’²—ŠwŽÀK
Cooking Practice
“í–{@Œ’“ñ(KUSUMOTO Kenji) 2”N,3”N,4”N ŽÀK

23072
‘OŠú ’nˆæƒXƒ|[ƒcŽÀ‹Zi‰Ä‹GƒXƒ|[ƒcj
Camping
ù£@‰ëŽj(SASASE Masasi) 2”N,3”N,4”N ŽÀ‹Z

23073
ŒãŠú ’nˆæƒXƒ|[ƒcŽÀ‹Zi“~‹GƒXƒ|[ƒcj
Skills on Winter Sports
ˆäã@Œ÷ˆê˜Y(INOUE Koichiro),À“c@®(NUMATA Hisashi),“nç³@MW(WATANABE Nobuaki),ŽOŽ}@I(MIEDA Takumi) 2”N,3”N,4”N ŽÀ‹Z

23076
‘OŠú •¶‰»‘n‘¢‚ւ̵‘Ò
Invitation to Graduate school of Regional Education, Art and Science
[£@—õ(FUKASE Ren),“yˆä@Œh^(DOI Hiromasa),ŽOŽ}@I(MIEDA Takumi) 2”N u‹`

23077
ŒãŠú •¶‰»‘n‘¢ƒtƒB[ƒ‹ƒhƒ[ƒN
Fieldwork for Community Culture
¬—Ñ@r‰î(KOBAYASI Syunsuke),“n•Ó@Cg(WATANABE Osami),ˆäã@Œ÷ˆê˜Y(INOUE Koichiro) 2”N ‰‰K

23078
ŒãŠú ƒAƒ“ƒTƒ“ƒuƒ‹Šî‘b
EnsembleiBasic)
“n•Ó@Cg(WATANABE Osami) 2”N,3”N,4”N ‰‰K

23082
ŒãŠú ƒAƒ“ƒTƒ“ƒuƒ‹Šî‘b
EnsembleiBasic)
“n•Ó@Cg(WATANABE Osami) ŽO—Ö@ˆèiMIWA IKUj 2”N,3”N,4”N ‰‰K

23085
ŒãŠú ºŠyŠî‘b
Basic Vocal Music
[£@—õ(FUKASE Ren), ¼‰Y@Œb(MATSUURA Megumi) 1”N,2”N,3”N,4”N ‰‰K

23086
ŒãŠú —§‘Ì‘¢Œ`•¶‰»˜_
Sculpture and Culture
“yˆä@Œh^(DOI Hiromasa) 2”N,3”N,4”N u‹`

23090
‘OŠú ”F’mS—Šwi’mŠoE”F’mS—Šwj
Introduction to Cognitive Psychology
‘å™@®”V(OSUGI Takayuki) 2”N,3”N,4”N u‹`

23091
‘OŠú ŠwKS—ŠwiŠwKEŒ¾ŒêS—Šwj
Learning Psychology
œA“c@Mˆê(HIROTA Shinichi) 2”N,3”N,4”N u‹`

23092
‘OŠú Š´îElŠiS—Šw
Psychology of Emotion and Personality
‰Í‡@‹P‹v(KAWAI@Teruhisa),‰Y–ì@—R•½(URANO Yuhei) 2”N,3”N,4”N u‹`

23093
ŒãŠú _ŒoE¶—S—Šw
Neuropsychology and Psychophysiology
ûü‹´@ƒˆê(TAKAHASHI Junichi) 2”N,3”N,4”N u‹` ‡A

23094
ŒãŠú ‹³ˆçS—Šwi‹³ˆçEŠwZS—Šwj
Educational and School Psychology
ŠÖŒû@—Yˆê(SEKIGUCHI Yuichi) 1”N,2”N,3”N,4”N u‹`

23095
‘OŠú S—“IƒAƒZƒXƒƒ“ƒg
Psychological Assessment
‰Y–ì@—R•½(URANO Yuhei) 3”N,4”N ‰‰K

23096
‘OŠú S—ŠwŽÀŒ±
Psychological Experiments
“¡‰ª@‹v”üŽq(FUJIOKA Kumiko),²“¡@G•½(SATO Kohei),–{“‡@—DŽq(MOTOSHIMA Yuko),ŠÖŒû@—Yˆê(SEKIGUCHI Yuichi) 2”N,3”N,4”N ‰‰K

23100
‘OŠú •¶‰»‘n¶ƒZƒ~ƒi[
Seminar on Cultural Innovation
’nˆæ‹³ˆç•¶‰»Šw•”•¶‰»‘n¶ƒR[ƒX‹³ˆõ 1”N,2”N,3”N,4”N u‹`

23101
‘OŠú H¶Šˆ˜_
The study of healthy life and diet
¬Žðˆä@‹M°(KOZAKAI Takaharu),‘åX@Œj(OMORI Katsura),–îŒû@—F—(YAGUCHI Yuri),ŽOŒ´@–@Žq(MIHARA Noriko) 1”N,2”N,3”N,4”N u‹`

23201
‘OŠú Œ®”ÕŠyŠí‘t–@‰ž—p‰‰K
Piano Studyi2nd Step)
ŽO—Ö@ˆè(MIWA Iku) 2”N,3”N,4”N ‰‰K

23205
‘OŠú ŠÇŒ·‘ÅŠyŠí‘t–@‰ž—p‰‰K
Orchestral Instruments
Œ¢•š@ˆŸ—¢(INUBUSHI Ari)A“nç²@Œ¤‘½˜YiWATANABE Kentaro)A¬¼ú±@‹±Žq(KOMATSUZAKI Kyoko)AŽÄ“c@—S‘¾iSIBATA Yuta)A ìã@ˆê“¹iKAWAKAMI Ichido)Aˆäã@’¼Ž÷iINOUE Naoki)AŠÖ’J@’q—miSEKIYA Tomohiro)Aûü‹´@’qLiTAKAHASHI Tomohiro)A•½‰º@˜a¶iHIRASHITA Kazuoj–F‰ê@‘å•ôiHAGA Hirotaka ) 2”N,3”N,4”N ‰‰K

23216
‘OŠú ‘¢Œ`Žj“Á˜_
Modern Art
¬—Ñ@r‰î(KOBAYASI Syunsuke) 2”N,3”N,4”N u‹`

23217
‘OŠú ƒR[ƒ`ƒ“ƒO˜_
Coaching Theory
ŽOŽ}@I(MIEDA Takumi),“nç³@MW(WATANABE Nobuaki) 2”N,3”N,4”N u‹`

23218
‘OŠú ƒgƒŒ[ƒjƒ“ƒO˜_
Training Theory and Method for Physical Fitness
“nç³@MW(WATANABE Nobuaki) 2”N,3”N,4”N u‹`

23219
‘OŠú ‰¹Šy‰È‹³ˆç–@
Teaching Method (Music)
²ì@Š](SAGAWA Kaoru) 2”N,3”N,4”N u‹`

23220
‘OŠú ”üp‰È‹³ˆç–@
Teaching Methods of Art Educaiton
LIAO Xitong 2”N,3”N,4”N u‹`

23221
‘OŠú •ÛŒ’‘̈ç‰È‹³ˆç–@
Teaching Methods iHealth and Physical Educationj
¬¼@P½(KOMATSU Tsunemi) 2”N,3”N,4”N u‹`

23222
ŒãŠú ì‹È–@‰ž—p
Applied Composition
–¼‘q@–¾Žq(NAGURA Akiko) 2”N,3”N,4”N u‹`

23223
ŒãŠú •‘‘ä•\Œ»‰‰K
Stage Expression Exercises
[£@—õiFUKASE@RenjA–¼‘q@–¾ŽqiNAGURA AkikojAŽO—Ö@ˆèiMIWA IkujA“n•Ó@CgiWATANABE OsamijA’†”¨@~iNAKAHATA MakotojAŒÃ‰ê@–]ŽqiKOGA MachikojAŽR‹¿’S“–‹³ˆõ 2”N,3”N,4”N ‰‰K

23224
ŒãŠú ‰h—{ŠwŽÀŒ±‰‰K
Seminar in experiment of animal nutrition
¬Žðˆä@‹M°(KOZAKAI Takaharu) 2”N,3”N,4”N ‰‰K

23226
ŒãŠú ‘Ì—Í‘ª’艉K
Measuring Methods for Physical Fitness
ˆäã@Œ÷ˆê˜Y(INOUE Koichiro),´…@(SHIMIZU Kaori) 2”N,3”N,4”N ‰‰K

23227
ŒãŠú ƒXƒ|[ƒcˆã‰ÈŠw
Sports Medicine and Science
“nç³@MW(WATANABE Nobuaki),´…@(SHIMIZU Kaori) 2”N,3”N,4”N u‹`

23228
ŒãŠú ‰q¶EŒöO‰q¶Šw
Public Health
Vˆä@–Ò_(ARAI Takehiro) 2”N,3”N,4”N u‹`

23229
‘OŠú ŠwZ•ÛŒ’
School Health
Vˆä@–Ò_(ARAI Takehiro) 3”N,4”N u‹`

23230
ŒãŠú H‚ÆŽ¾•a
A meal and disease
ŽOŒ´@–@Žq(MIHARA Noriko) 2”N,3”N,4”N u‹` ‡A

23232
‘OŠú ƒAƒ“ƒTƒ“ƒuƒ‹‰ž—p‰‰K
Ensemble
“n•Ó@Cg(WATANABE Osami) 3”N,4”N ‰‰K

23233
‘OŠú ‡¥‰ž—p‰‰K
Chorus (Advanced)
[£@—õ(FUKASE Ren),“n•Ó@Cg(WATANABE Osami) 3”N,4”N ‰‰K

23234
‘OŠú ‡‘t‰ž—p‰‰K
Orchestra
“n•Ó@Cg(WATANABE Osami) 3”N,4”N ‰‰K

23237
‘OŠú ŠG‰æ‰ž—p‰‰K
Seminar on practice of advanced Painting
¬—Ñ@r‰î(KOBAYASI Syunsuke) 3”N,4”N ‰‰K

23238
‘OŠú ’¤‰ž—p‰‰K
Applied Sculpting
“yˆä@Œh^(DOI Hiromasa) 3”N,4”N ‰‰K

23239
‘OŠú ’¤˜_
Introduction to Sculpture
“yˆä@Œh^(DOI Hiromasa) 3”N,4”N u‹`

23240
‘OŠú ƒfƒUƒCƒ“‰ž—p‰‰K
Seminar in Advanced Design Work
‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke) 3”N,4”N ‰‰K

23244
‘OŠú ƒXƒ|[ƒcs­Šw
Administration of Sport
ù£@‰ëŽj(SASASE Masasi) 3”N,4”N u‹`

23245
ŒãŠú ƒXƒ|[ƒcŽj
History of Sports
‘ºˆä@—FŽ÷(MURAI Yuki) 3”N,4”N u‹`

23246
ŒãŠú ƒXƒ|[ƒc‰h—{Šw
Sports nutrition
–îŒû@—F—(YAGUCHI Yuri) 2”N,3”N,4”N u‹`

23248
‘OŠú ‘̈çƒXƒ|[ƒcŽÀ‹Ziƒ_ƒ“ƒXj
Pyhsical education ESports excise (Dance)
‰Ô—Ö@çH(HANAWA Chiaki)C¬¼@P½(KOMATSU Tsunemi) 3”N,4”N ŽÀ‹Z

23252
ŒãŠú ŠG‰æ˜_
Seminar on Material and Technique of Painting
¬—Ñ@r‰î(KOBAYASI Syunsuke) 3”N,4”N u‹`

23253
ŒãŠú ‘¢Œ`•\Œ»‘‡‰‰K
Seminar on Plastic Art and Mixed Media
¬—Ñ@r‰î(KOBAYASI Syunsuke),‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke),“yˆä@Œh^(DOI Hiromasa),LIAO Xitong 3”N,4”N ‰‰K

23256
ŒãŠú ‘̈çƒXƒ|[ƒcŽÀ‹Zi‹…‹Zj
Sports skillsiBall Gamesj
ˆäã@Œ÷ˆê˜Y(INOUE Koichiro),¬¼@P½(KOMATSU Tsunemi),‘å—F@—ºŽq(OTOMO Ryoko) 2”N,3”N,4”N ŽÀ‹Z

23257
ŒãŠú ƒXƒ|[ƒcƒ}ƒlƒWƒƒ“ƒg
Sports Management
’£@ˆçãY(Chang Yuchi) 3”N,4”N u‹`

23258
‘OŠú ‘̈çƒXƒ|[ƒcŽÀ‹Zi…‰jEƒAƒNƒAƒXƒ|[ƒcj
Sports Skills(SwimmingEAquasportsj
´…@(SHIMIZU Kaori) 1”N,2”N,3”N,4”N ŽÀ‹Z

23259
‘OŠú ‘̈çƒXƒ|[ƒcŽÀ‹Zi•“¹E—¤ã‹£‹ZE‘Ì‘€j
Sports Skills (Budo,Athletics,Exercise)
“nç³@MW(WATANABE Nobuaki),’|“c@—²ˆê(TAKEDA Ryuichi),–öì@ˆè¶(YANAGAWA Ikuo) 2”N,3”N,4”N ŽÀ‹Z

23261
ŒãŠú ‰¹Šy‚Ì‹³Þ•ªÍA
Evaluating Teaching Materials (Music) A
²ì@Š](SAGAWA Kaoru) 2”N,3”N,4”N u‹`

23262
‘OŠú ‰¹Šy‚Ì‹³Þ•ªÍB
Evaluating Teaching Materials (Music) B
“n•Ó@Cg(WATANABE Osami) 3”N,4”N u‹`

23263
‘OŠú ”üp‚Ì‹³Þ•ªÍA
Evaluating Teaching Materials (Art) A
LIAO Xitong,¬—Ñ@r‰î(KOBAYASI Syunsuke) 2”N,3”N,4”N u‹`

23264
ŒãŠú ”üp‚Ì‹³Þ•ªÍB
Evaluating Teaching Materials (Art) B
‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke) 2”N,3”N,4”N u‹`

23265
ŒãŠú •ÛŒ’‘̈ç‚Ì‹³Þ•ªÍA
Evaluating Teaching Materials (Health and Physical Education) A
¬¼@P½(KOMATSU Tsunemi)C²“¡F•viSATO Takaoj 2”N,3”N,4”N u‹`

23266
‘OŠú •ÛŒ’‘̈ç‚Ì‹³Þ•ªÍB
Practical Teacher Teaching iHealth and Physical Educationj
¬¼@P½(KOMATSU Tsunemi),,’|“c@—²ˆê(TAKEDA Ryuichi),²“¡@F•v(SATO Takao) 3”N,4”N u‹`

23267
ŒãŠú ‰¹Šy‰ÈŽÀ‘H‰‰K
Practical Teacher Teaching (Music)
–¼‘q@–¾Žq(NAGURA Akiko),²ì@Š](SAGAWA Kaoru),“n•Ó@Cg(WATANABE Osami) 3”N,4”N ‰‰K

23268
‘OŠú ”üp‰ÈŽÀ‘H‰‰K
Practical Teacher Teaching (Art)
LIAO Xitong,‹ïŽuŒ˜@—T‰î(GUSHIKEN Yusuke),¬—Ñ@r‰î(KOBAYASI Syunsuke),“yˆä@Œh^(DOI Hiromasa) 3”N,4”N ‰‰K

23269
ŒãŠú •ÛŒ’‘̈ç‰ÈŽÀ‘H‰‰K
Practical Teacher Teaching iHealth and Physical Educationj
²“¡F•viSATO TakaojC¬¼@P½(KOMATSU Tsunemi) 3”N,4”N ‰‰K

23270
‘OŠú ƒXƒ|[ƒc‰h—{ŠwŽÀK‰‰K
Practice and Exercise of Sports Nutrition
–îŒû@—F—(YAGUCHI Yuri) 3”N,4”N ‰‰K

23271
ŒãŠú ’²—‰ÁH‰ÈŠwŽÀŒ±
Cooking Experiment
“í–{@Œ’“ñ(KUSUMOTO Kenji) 3”N,4”N ŽÀŒ±

23272
‘OŠú ƒAƒ“ƒTƒ“ƒuƒ‹‰ž—p‰‰K
Ensemble
“n•Ó@Cg(WATANABE Osami) 3”N,4”N ‰‰K

23274
‘OŠú ŽÐ‰ï‹³ˆç’c‘̘_[•¶‰»‘n¶ƒR[ƒX]
Practical Activities in Social Education
¼–{@‘åiMATSUMOTO Dai) 2”N,3”N,4”N u‹`

23275
‘OŠú Šm—¦E“ŒvŠT˜_[•¶‰»‘n¶ƒR[ƒX]
Introduction to Probability and Statistics
âŒû@—²”V(SAKAGUCHI Takayuki) 2”N,3”N,4”N u‹`

23276
ŒãŠú “ŒvŠw[•¶‰»‘n¶ƒR[ƒX]
Statistics
âŒû@—²”V(SAKAGUCHI Takayuki) 2”N,3”N,4”N u‹`

23277
‘OŠú ¶•¨ŠwŠT˜_[•¶‰»‘n¶ƒR[ƒX]
Introduction to Biology
‘êàV@‹§(Tadashi TAKIZAWA) 2”N,3”N,4”N u‹`

23278
ŒãŠú ¶•¨Šw‰‰K[•¶‰»‘n¶ƒR[ƒX]
Seminar of Biology
‘êàV@‹§(Tadashi TAKIZAWA) 2”N,3”N,4”N ‰‰K

23279
‘OŠú ŽÐ‰ï‹³ˆçŽÀK[•¶‰»‘n¶ƒR[ƒX]
Practical Activities in Social Education
‹àŽR@Ž¡s(KANEYAMA Haruyuki), XŽR@^Ÿ(MORIYAMA Masumi) 2”N,3”N,4”N ‰‰K

23281
‘OŠú ŽÐ‰ï‹³ˆçŒo‰c˜_‚`[•¶‰»‘n¶ƒR[ƒX]
Management of Social Education A
ˆÀ“¡@kŒÈ(ANDO Kouki) 3”N,4”N u‹`

23282
ŒãŠú ŽÐ‰ï‹³ˆçŒo‰c˜_‚a[•¶‰»‘n¶ƒR[ƒX]
Management of Social Education B
ˆÀ“¡@kŒÈ(ANDO Kouki) 3”N,4”N u‹`

23283
‘OŠú ŽÐ‰ï‹³ˆç‰‰K[•¶‰»‘n¶ƒR[ƒX]
Seminar on Social Education
ˆÀ“¡@kŒÈ(ANDO Kouki) 3”N,4”N ‰‰K

23284
ŒãŠú ŽÐ‰ï‹³ˆç‰Û‘茤‹†[•¶‰»‘n¶ƒR[ƒX]
Study on Social Education
ˆÀ“¡@kŒÈ(ANDO Kouki) 3”N,4”N ‰‰K

23290
ŒãŠú ¸_޾г‚Æ‚»‚ÌŽ¡—Ã
Psychiatric Disorders and Treatments
²“¡@G•½(SATO Kohei) 2”N,3”N,4”N u‹`iƒIƒ“ƒfƒ}ƒ“ƒhj ‡@

23291
‘OŠú ŽY‹ÆE‘gDS—Šw
Industrial and Organizational Psychology
¬‘q@‘׌›(OGURA Yasunori) 2”N,3”N,4”N u‹`E‰‰K

23292
W’† Ži–@E”ÆßS—Šw
Juducal criminal psychology
ì’[@‘sN(KAWABATA Takeyasu) 2”N,3”N,4”N u‹`

23293
ŒãŠú áŠQŽÒEáŠQŽ™S—Šw
Psychology for Adults & Children with Disabilities
‰Y–ì@—R•½(URANO Yuhei),ûü‹´@ƒˆê(TAKAHASHI Junichi), ˆÉ“¡@•üŽqiITO Tomokoj 2”N,3”N,4”N u‹` ‡A

23294
ŒãŠú Œ’NEˆã—ÃS—Šw
Health and Medical Psychology
‰Y–ì@—R•½(URANO Yuhei),‰Í‡@‹P‹v(KAWAI@Teruhisa) 2”N,3”N,4”N u‹`

23295
ŒãŠú •ŸŽƒS—Šw
Psychology for Social Welfare
‰Í‡@‹P‹v(KAWAI@Teruhisa) 2”N,3”N,4”N u‹`

23297
‘OŠú S—Šw“IŽx‰‡–@
Methods of Psychological Support
‰Í‡@‹P‹v(KAWAI@Teruhisa) 3”N,4”N u‹`

23298
ŒãŠú ‰Æ‘°S—ŠwiŽÐ‰ïEW’cE‰Æ‘°S—Šwj
Family Psychology: Family Psychology including Groups and Communities
²“¡@G•½(SATO Kohei) 3”N,4”N u‹`

23299
ŒãŠú ŠÖŒWs­˜_
Related administration
¶“‡@_(SHOJIMA Hiroshi),ŠÝ@—³”n(KISHI Tatsuma),—é–Ø@´iSUZUKI Kiyoshij,–Ø@^—(AOKI Mari),ŒÜ\—’@“Ö(IGARASHI Atsushi) 3”N,4”N u‹` ‡@

23300
‘OŠú ºŠy‰ž—p‰‰K
Practical Vocal Music
[£@—õ(FUKASE Ren), ¼‰Y@ŒbiMATSUURA Megumij 2”N,3”N,4”N ‰‰K

23505
ŒãŠú ‘‡•‘‘äŒ|pŽÀ‘H‰‰K
Practice in Comprehensive Performing Arts
[£@—õ(FUKASE Ren),“n•Ó@Cg(WATANABE Osami) 3”N,4”N ‰‰K

23506
ŒãŠú ŠG‰æ‹Z–@‰‰K
Seminar on Material and Technique of Painting
¬—Ñ@r‰î(KOBAYASI Syunsuke) 3”N,4”N ‰‰K

23507
ŒãŠú ’¤‹Z–@‰‰K
Seminar on Material and Technique of Sculpting
“yˆä@Œh^(DOI Hiromasa) 3”N,4”N ‰‰K

23510
ŒãŠú ƒLƒƒƒŠƒA‹³ˆç
Career Strategies
¬—Ñ@r‰î(KOBAYASI Syunsuke),¼â@’¨_(MATSUZAKA Nobuhiro) 2”N,3”N,4”N ‰‰K

23511
‘OŠú ¶ŠUƒXƒ|[ƒcŽÀ‹Ziƒ‰ƒPƒbƒgEƒoƒbƒgEƒŒƒNƒŠƒG[ƒVƒ‡ƒ“ƒXƒ|[ƒcj
Sports Skills(Recreational Sport,Golf,Tennis)
ù£@‰ëŽj(SASASE Masasi),“V–ì@˜a•F(AMANO Kazuhiko),À“c@®(NUMATA Hisashi) 3”N,4”N ŽÀ‹Z

23512
‘OŠú ’nˆæHˆçŽÀK‰‰K
Food education practice in the community
‘åX@Œj(OMORI Katsura) 3”N,4”N ‰‰K

23513
‘OŠú ‹³ˆçŽÀ‘HŽÀK‚a[•¶‰»‘n¶ƒR[ƒX]
Teaching practice B
‹³ˆçŽÀKê–åˆÏˆõ‰ï 3”N,4”N ŽÀK

23514
W’† ‹³ˆçŽÀ‘HŽÀKC[•¶‰»‘n¶ƒR[ƒX]
Teaching practice C
‹³ˆçŽÀKê–åˆÏˆõ‰ï 3”N,4”N ŽÀK

23515
‘OŠú ‹³ˆçŽÀ‘HŠî‘bŽÀKi’†j[•¶‰»‘n¶ƒR[ƒX]
‹³ˆçŽÀ‘HŠî‘bŽÀKi’†j
‹³ˆçŽÀKê–åˆÏˆõ‰ï 2”N,3”N,4”N ŽÀK

23516
‘OŠú ‹³ˆçŽÀ‘HŽÀKŽ–‘OEŽ–ŒãŽw“±i’†E‚j[•¶‰»‘n¶ƒR[ƒX]
‹³ˆçŽÀ‘HŽÀKŽ–‘OEŽ–ŒãŽw“±i’†E‚j
â–{@–¾”ü(SAKAMOTO Akemi),–ìŒû@“O(NOGUCHI Toru),‹³ˆçŽÀKê–åˆÏˆõ‰ï(),‹{ŠÚ@VŒá(MIYADATE Shingo),àF]@Šw”ü(SHIBUE Manabi),²“¡@G•½(SATO Kohei),‹g“c@½(YOSHIDA Makoto),–{“‡@—DŽq(MOTOSHIMA Yuko),œA“c@Mˆê(HIROTA Shinichi),ŠÖŒû@—Yˆê(SEKIGUCHI Yuichi) m©—ߘa6”N“x‚ÌŽ–‘OŽw“±‚Ì’S“–ŽÒ–¼B—ߘa‚V”N“x‚ÍAˆê•”•ÏX‚̉”\«‚ ‚èBn 2”N,3”N,4”N ŽÀK

23517
W’† ‹³ˆç—Õ°‘ÌŒ±i‰îŒì“™‘ÌŒ±j[•¶‰»‘n¶ƒR[ƒX]
Educational counseling practiceicaregiving experiencej
‹³ˆçŽÀKê–åˆÏˆõ‰ï 2”N,3”N,4”N ŽÀK

23518
‘OŠú ‹³E˜_[•¶‰»‘n¶ƒR[ƒX]
Introduction to Teacher and Teaching Profession
‹g“c@½(YOSHIDA Makoto) 2”N,3”N,4”N u‹`

23519
‘OŠú ‹³ˆçŽÐ‰ïŠw[•¶‰»‘n¶ƒR[ƒX]
Sociology of Education
…’J@’q•F(MIZUTANI Tomohiko) 3”N,4”N u‹`

23520
ŒãŠú ‹³ˆçŒo‰cŠw[•¶‰»‘n¶ƒR[ƒX]
Lecture in Education Administration
‹g“c@®Žj(YOSHIDA Naofumi) 3”N,4”N u‹`

23521
ŒãŠú ‹³ˆç‰Û’ö•Ò¬˜_[•¶‰»‘n¶ƒR[ƒX]
Theory of Curriculum Development
–ìŒû@“O(NOGUCHI Toru) 3”N,4”N u‹`

23522
ŒãŠú “Á•ÊŠˆ“®˜_[•¶‰»‘n¶ƒR[ƒX]
Theory of Special Activities
–ìŒû@“O(NOGUCHI Toru) 3”N,4”N u‹`

23523
ŒãŠú ‹³EŽÀ‘H‰‰Ki’†ŠwZE‚“™ŠwZj
Teacher Training Practice
’nˆæ‹³ˆç•¶‰»Šw•”‹³ˆõ 4”N ‰‰K

23524
‘OŠú “¹“¿‹³ˆç‚Ì—˜_‚ÆŽÀ‘H[•¶‰»‘n¶ƒR[ƒX]
Theory and Practice of Moral Education
‹g“c@½(YOSHIDA Makoto) 3”N,4”N u‹`

23525
‘OŠú ¶“kŽw“±Ei˜HŽw“±[•¶‰»‘n¶ƒR[ƒX]
Educational guidance and career guidance
²“¡@G•½(SATO Kohei) 3”N,4”N u‹`

23526
ŒãŠú ‹³ˆç‘Š’km•¶‰»‘n¶ƒR[ƒXn
School Counseling
ŠÖŒû@—Yˆê(SEKIGUCHI Yuichi) 3”N,4”N u‹`

23527
ŒãŠú ‹³EŽÀ‘H‰‰Ki’†ŠwZE‚“™ŠwZj
Teacher Training Practice
²ì@Š](SAGAWA Kaoru),–ìŒû@“O(NOGUCHI Toru),‹{ŠÚ@VŒá(MIYADATE Shingo),¬—Ñ@r‰î(KOBAYASI Syunsuke),ˆäã@–ƒ”üŽq(INOUE Mamiko) 4”N ‰‰K

23528
’Ê”N ŽÐ‰ï‘ÌŒ±iƒCƒ“ƒ^[ƒ“ƒVƒbƒvj
Internship
ƒLƒƒƒŠƒAƒTƒ|[ƒgƒZƒ“ƒ^[‰^‰c‰ï‹c 3”N,4”N ŽÀK

23529
‘OŠú ŠÂ‹«‹³ˆç˜_[•¶‰»‘n¶ƒR[ƒX]
Environmental Education
’|—Ñ@’m‘å(TAKEBAYASHI Tomohiro) 2”N,3”N,4”N u‹`

23547
‘OŠú ‘‡•\Œ»Šî‘b‰‰K
Comprehensive representative exercises of music(Basic)
[£@—õiFUKASE@RenjA–¼‘q@–¾ŽqiNAGURA AkikojAŽO—Ö@ˆèiMIWA IkujA“n•Ó@CgiWATANABE OsamijA’†”¨@~iNAKAHATA MakotojAŒÃ‰ê@–]ŽqiKOGA MachikojAŽR‹¿’S“–‹³ˆõ 3”N,4”N ‰‰K

23550
‘OŠú Œö”FS—Žt‚ÌEÓ
Responsibility of an Authorized Psychologist
ŒÜ\—’@“N˜N(IGARASHI Tetsuro) 3”N,4”N u‹`

23551
‘OŠú S—‰‰K
Seminar in Psychology
ŠÖŒû@—Yˆê(SEKIGUCHI Yuichi),²“¡@G•½(SATO Kohei),–{“‡@—DŽq(MOTOSHIMA Yuko),‰Í‡@‹P‹v(KAWAI@Teruhisa),‰Y–ì@—R•½(URANO Yuhei),“¡‰ª@‹v”üŽq(FUJIOKA Kumiko) 3”N,4”N ‰‰K

23552
ŒãŠú S—ŽÀK‡T
Practical Training in Psychology ‡T
“¡‰ª@‹v”üŽq(FUJIOKA Kumiko),²“¡@G•½(SATO Kohei),–{“‡@—DŽq(MOTOSHIMA Yuko),ŠÖŒû@—Yˆê(SEKIGUCHI Yuichi),‰Í‡@‹P‹v(KAWAI@Teruhisa),‰Y–ì@—R•½(URANO Yuhei) 3”N,4”N ŽÀK

23555
ŒãŠú ‘‡•\Œ»‰ž—p‰‰K
Comprehensive representative exercises of music
[£@—õiFUKASE@RenjA–¼‘q@–¾ŽqiNAGURA AkikojAŽO—Ö@ˆèiMIWA IkujA“n•Ó@CgiWATANABE OsamijA’†”¨@~iNAKAHATA MakotojAŒÃ‰ê@–]ŽqiKOGA MachikojAŽR‹¿’S“–‹³ˆõ 3”N,4”N ‰‰K

23560
‘OŠú ‘‡“I‚ÈŠwK‚ÌŽžŠÔ˜_
Theory of Period for Integrated Study
–ìŒû@“O(NOGUCHI Toru) 3”N,4”N ‰‰K

23564
ŒãŠú ‹³ˆç•û–@E‹Zpiî•ñ’ÊM‹Zp‚ðŠˆ—p‚µ‚½‹³ˆç‚Ì—˜_‹y‚Ñ•û–@‚ðŠÜ‚ÞBj
Educational Methodologyiincluding Theories and Methods of Education Using ICTj
â–{@–¾”ü(SAKAMOTO Akemi)A²‹vŠÔ@‘åiSAKUMA Daij 2”N,3”N,4”N u‹`

23601
‘OŠú •¶Œ£Ž‘—¿u“ÇA
Seminar in understanding of Article A
•¶‰»‘n¶ƒR[ƒX‹³ˆõ‚ÌŠJu’S“–‹³ˆõ 3”N,4”N “Á•ʉ‰K

23609
‘OŠú “Á•ʉۑ艉KI
Seminar for Special Challenges I
’nˆæ‹³ˆç•¶‰»Šw•”’nˆæ‹³ˆç•¶‰»Šw‰È•¶‰»‘n¶ƒR[ƒX‹³ˆõ 3”N,4”N ‰‰K

23650
ŒãŠú •¶Œ£Ž‘—¿u“ÇB
Seminar in understanding of Article B
•¶‰»‘n¶ƒR[ƒX‹³ˆõ‚ÌŠJu’S“–‹³ˆõ 3”N, 4”N “Á•ʉ‰K

23659
ŒãŠú “Á•ʉۑ艉KII
Seminar for Special Challenges ‡U
¬—Ñ@r‰î(KOBAYASI Syunsuke) 3”N,4”N ‰‰K

23709
‘OŠú ’nˆæ•¶‰»ƒfƒUƒCƒ“ƒZƒ~ƒi[‡T
Seminar on design for Community Culture ‡T
’nˆæ‹³ˆç•¶‰»Šw•”’nˆæ‹³ˆç•¶‰»Šw‰È•¶‰»‘n¶ƒR[ƒX‹³ˆõ 3”N,4”N ‰‰K

23759
ŒãŠú ’nˆæ•¶‰»ƒfƒUƒCƒ“ƒZƒ~ƒi[‡U
Seminar for Special Challenges ‡U
¬—Ñ@r‰î(KOBAYASI Syunsuke) 3”N,4”N ‰‰K

23800
’Ê”N “Á•ÊŒ¤‹†Šî‘bƒvƒŒƒ[ƒ“ƒe[ƒVƒ‡ƒ“
Seminar on design for Community Culture ‡T
’nˆæ‹³ˆç•¶‰»Šw•”•¶‰»‘n¶ƒR[ƒX‹³ˆõ 4”N ‰‰K

23859
’Ê”N ‘²‹ÆŒ¤‹†
Graduation Research
’nˆæ‹³ˆç•¶‰»Šw•”•¶‰»‘n¶ƒR[ƒX‹³ˆõ 4”N ‰‰K